Every part has a chance to sing the simple melody in this flexible arrangement of the classic canon. Designed to be an a cappella selection, it also includes a piano part that is a real accompaniment, not

Do you love Carol of Bells but wish it were a little longer? Combining the ever-popular carol with new melodic material, this a cappella gem is sure to be a favorite selection at your holiday

The original five-part version of this Morley madrigal is featured here as an arrangement for three-part mixed voices with an optional baritone part. Modernized words, new dynamic indications, and optional

Uplifting, celebratory, accessible and fun to sing, developing mixed choirs will love learning and performing this original song of praise. Add the notated percussion parts for djembe and shaker to create

Easy and absolutely beautiful for a cappella voices, this setting of the beloved Latin Christmas text is a succinct and lyrical selection that will create a moment of wonder in your concert or worship

Flexible enough for literally any ensemble, this traditional African folk song is arranged with English text throughout. With the option to perform with or without the piano accompaniment, percussion, and

This new arrangement of the beloved American folk song Shenandoah is built on a rhythmic vocal ostinato which provides the backdrop and energy for the soaring vocal line, casting this familiar tune

Pealing like bells in an antiphonal motet, this quasi-canonic arrangement of the French carol is so fun to sing. Short melodic fragments layer in an a cappella setting with tambourine that builds to a

Scored in the key of B-flat for developing a cappella voices, with optional baritone notes, this straightforward setting of our national anthem will come in handy throughout the year.

A rhythmic ostinato on "Veni, veni" and optional percussion (triangle, tambourine and drum) infuse the traditional Advent carol with such unrelenting energy, the effect on the listener is mesmerizing!

Robinson's TBB arrangement of this beloved Bennett madrigal, originally published for four voices in 1599, has been changed from the original key of A minor to the key of D minor, making the ranges and