Originally written with flute players in mind, these etudes actually work great for alto sax too! They cover a wide variety of standard jazz material and are recommended for classical as well as jazz
Three-time Grammy-winning saxophonist/flutist/clarinetist Jeff Coffin (Dave Matthews Band, Bela Fleck & the Flecktones) has written these improv etudes over the changes to ten jazz standards. This is a
10 Improvisational Flute Etudes written and performed by 3x Grammy winning saxophonist/flautist Jeff Coffin (Dave Matthews Band/Bela Fleck & the Flecktones) over the changes of 10 jazz
Originally written with flute players in mind, these etudes actually work great for tenor sax too! They cover a wide variety of standard jazz material and are recommended for classical as well as jazz
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Following the success of her first Chant Lyrique, op. 69 (1932), Fernande Decruck continued to compose several short works for alto saxophone and piano. Several of these compositions are titled "Chant
64 Musical Studies for Saxophone is a compendium of Baroque, Classical, and Romantic-era masterpieces arranged for saxophone. Written to serve as a student primer to the Ferling
Whip-poor-will! Spangled with avian antics and musical treasures, this entertaining toe-tapper with lots of independent lines, syncopation, grace notes, sixteenth-note runs, and bird imitations
Celtic Spirit was written in 2008 by Bill Douglas. This is a work for Flute Quartet. It is scored for Fl.1,2,3 and Alto Fl. There are 3 movements: 1.) Dancing in the Wind; 2.) Azure; 3.) Spirit
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This is one of Fillmore's early marches and reflects his varied experiences while he was touring as a circus musician with five different big top shows. To be played at a fast tempo.
This particular arrangement for saxophone ensemble was created using Grainger's piano solo version. The dynamic and tempo indications are Grainger's own words and, although rather unusual, provide some
This unique, delightful arrangement of the Haydn Concerto for Trumpet accompanied by bassoon ensemble was first performed by trumpeter, John Hagstrom, of the Chicago Symphony with the Sooner
Divertimento No. 14 K. 270, is the most sophisticated of Mozart’s sextets, or divertimenti, composed in January, 1777 while in Salzburg. This is his the fifth and final divertimento. Gary
Widely used for teaching and examination purpose and an excellent choice for concert or contest. Contents: Prelude; Romance; Carol; Forlana and Fughetta.
Finzi's Five Bagatelles are a staple of the clarinet literature, appearing on several contest solo lists. This edition features newly engraved music, a biography, and notes on the music. Includes a