Adapted from a Bach cantata, this joyful work will allow younger ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression. A superb
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Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement
Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic
This stately and elegant setting of Purcell's masterwork from Birthday Ode for Queen Mary is adapted specifically for developing choirs. With vocal ranges that work well for young singers, the
Schubert, composer of over 600 lieder, elevated the art form by creating settings that give equal consideration to the melody, piano accompaniment and painting of the text. This adaptation of a classic lied
The second movement of Bach's Magnificat is traditionally sung by a mezzo-soprano soloist, but has been adapted for unison treble chorus. Melismatic singing and Latin text give the opportunity to teach
This chorus from Haydn's "Heiligmesse" is an ideal introduction to Classical style for treble choirs. Explore musical phrasing, quality tone production, and pure vowels with this simple Latin text and
Long a standard for choirs, this simple and elegant Schubert song for mixed choir is experiencing renewed interest. A singable English text is provided along with an IPA pronunciation guide and translation
This lovely edition provides a welcome opportunity for young singers and smaller ensembles to perform Baroque music in an authentic style. The keyboard part can be performed by harpsichord, piano, or organ,
This adaptation of Mozart's choral work has been carefully edited with dynamics and phrasings to help choirs realize the composer's intentions and perform this classic with stylistic integrity. Singers will
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This beautiful Schubert masterwork is a must for contest or festival performance. The carefully crafted, easily playable piano accompaniment and translation/pronunciation guide help to make this edition a
Purcell's original was for solo soprano and figured bass, while this new choral adaptation offers a counter melody in the second verse along with a stylistic piano accompaniment. Ample unison singing allows
An authentic and representative lied from a Romantic-era female composer set in a dynamic arrangement for women's or treble choirs. Clara Schumann's dramatic setting of the poem Lorelei was a
Although primarily known as an opera composer, Galuppi contributed a steady output of sacred music. In this edition, the original figured bass has been fully realized in the piano accompaniment, but the
Adapted from a choral movement from the oratorio "Judas Maccabaeus," this is a wonderfully joyful anthem for treble or mixed choirs and an excellent introduction to Baroque style!
This classic Baroque duet is always a popular choice for young singers. In this beautifully realized edition, the key has been lowered to D major, and Baroque-inspired ornaments have been added to the
Equally at home when writing for either instruments or singers, Antonio Vivaldi's work, originally a duet for two sopranos, is now arranged for two part choir. This piece shows off both the singers and the
Excerpted and adapted from the beautiful Christmas Oratorio by Saint-Saens, this movement is a wonderful addition to any Christmas or general concert program. Middle school friendly ranges for mixed or
Here is a classic tenor solo aria arranged for developing tenor-bass choirs that is both a wonderful teaching tool for its historical and vocal pedagogical value and an impressive festival or concert
From Vivaldi's opera "Il Giustino," this solo aria-turned-choral arrangement is a great way to introduce choirs to the Baroque style. Lively melismas, stylistically appropriate ornamentation, easy Italian
An exuberant chorus by Gluck from his opera "Alceste" is set for SSA voices with optional flutes. An English text is included, as well as a pronunciation guide for the original French. Joyful and
Lilting and dance-like, this traditional a cappella madrigal will be a delight to learn and perform with SATB choirs, especially developing choirs being introduced to the genre. With its brisk tempo,
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