This work is a fresh setting of the Requiem Mass. The work, for soloists, chorus, and orchestra, takes its name from the poem by Elaine Goodale Eastman, incorporated as the fourth movement. Compositionally,

Probably Faure's best-known and most frequently performed work next to his Requiem. The lovely melodic lines are over triplet figures in the accompaniment, which can be done on piano, harp, or with a small

This Celtic-style arrangement of the beloved French carol is delightfully fresh and fun, with a driving piano accompaniment and an optional Celtic fiddle. Strong and accessible choral writing with limited

Composed in 1965 for the Cathedral of Chichester in Sussex, England, this massive choral statement in three movements was conceived when Leonard Bernstein was at the height of his musical skills. It

Originally commissioned by the ACDA, Walker's setting of the E.E. Cummings poem has long been popular on the festival circuit for treble and mixed choirs. An additional voicing for tenor-bass choirs is now

llluminare is Elaine's first extended work, consisting of five-movements for SATB chorus and chamber orchestra. Using lesser-known sacred Latin, Greek, and English texts, the piece takes us through

This majestic and triumphant work for Christmas heralds the coming of the King of Peace into a troubled world. Quoting a medieval carol, this piece is a wonderful concert processional or closer. It can be

The dramatic third movement from "Illuminare" opens with the traditional Kyrie text in a somber, forebodingly ominous manner before exploding into a blast of fury as the Latin text turns to night and

The opening movement from the larger work "Illuminare" set on Saint Ambrose's Latin text radiates majestic energy that heralds the arrival of Light and a joyful "Gloriae" section. A brief contrasting

The Christmas season wouldn't be complete without this traditional favorite, now available in voicings for SAB and SSA choirs - and a chamber orchestration! Perfect as a concert closer, it has just the