This work is a fresh setting of the Requiem Mass. The work, for soloists, chorus, and orchestra, takes its name from the poem by Elaine Goodale Eastman, incorporated as the fourth movement. Compositionally,

Composed in 1965 for the Cathedral of Chichester in Sussex, England, this massive choral statement in three movements was conceived when Leonard Bernstein was at the height of his musical skills. It

Previously titled simply Gloria, this single-movement work is a fabulous festival selection for better treble choirs. With the orchestration, it spans a wide range of expression from the ethereal

Originally commissioned by the ACDA, Walker's setting of the E.E. Cummings poem has long been popular on the festival circuit for treble and mixed choirs. An additional voicing for tenor-bass choirs is now

This majestic and triumphant work for Christmas heralds the coming of the King of Peace into a troubled world. Quoting a medieval carol, this piece is a wonderful concert processional or closer. It can be

The dramatic third movement from "Illuminare" opens with the traditional Kyrie text in a somber, forebodingly ominous manner before exploding into a blast of fury as the Latin text turns to night and

Composed as a musical memorial for the Italian national poet Allessandro Manzoni, deeply admired by Verdi, and was first performed on the first anniversary of his death on May 22, 1874 in Milan Cathedral.

The opening movement from the larger work "Illuminare" set on Saint Ambrose's Latin text radiates majestic energy that heralds the arrival of Light and a joyful "Gloriae" section. A brief contrasting