Complete Urtext edition for soprano solo (2), tenor solo, mixed choir (SATB) (2), flute, oboe (2), clarinet, bassoon (2), bassoon (2), horn (2), trumpet (2), trombone (3), strings.
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A minimum quantity of 10 is required on this title.
Previously titled simply Gloria, this single-movement work is a fabulous festival selection for better treble choirs. With the orchestration, it spans a wide range of expression from the ethereal
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Emanating from the time of Reformation, the "five sola" themes have been focal points of Protestant faith for five centuries - Christ alone, scripture alone, grace alone, faith alone, and glory to God
Powerful and majestic, this fierce arrangement of an old favorite was designed to have an effect on the singer and listener alike. Featuring soaring vocal lines and an active and dynamic piano
Originally commissioned by the ACDA, Walker's setting of the E.E. Cummings poem has long been popular on the festival circuit for treble and mixed choirs. An additional voicing for tenor-bass choirs is now
A minimum quantity of 5 is required on this title.
Gloria Gaither's classic text is set to the familiar and beloved FINLANDIA tune. The text addresses issues of discipleship and the formation of Christian principles of living, while the music is grand and
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llluminare is Elaine's first extended work, consisting of five-movements for SATB chorus and chamber orchestra. Using lesser-known sacred Latin, Greek, and English texts, the piece takes us through
A new musical setting of a familiar Fanny Crosby text is written in a flowing melodic style with a warm accompaniment, available either for orchestra or keyboard. The music ties together some of the textual
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From the cantata Sacred Places, this festive Palm Sunday piece is joyous from the first measure. Springing from two American hymn tunes, PROMISED LAND and LAND OF REST, the jubilant 6/8 meter
With this arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), more choirs now have the opportunity of performing this work without the choir being dominated by a
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