Oh, yes! This is a superb setting of the iconic jazz ballad that features the alto sax star in your band. The alto solo is mostly written with opportunities to improvise around the melody, and the ensemble

Every band needs a Basie-style swing ballad and this chart fills the bill perfectly. Although the pianist is the featured soloist here, there are plenty of tasteful ensemble sections, as well as an

Paul Simon's soulful rock ballad is set here at 88 bpm, and as arranged by Paul Baker is sure to please! The melody is first stated by trumpet 2 and tenor sax, there are no improvised solos, and the trumpet

Oh yeah, a beautiful straight-eighth Ellington ballad! Come Sunday  is played around 84 bpm with gorgeous voicings throughout. There are suggested or improvised solos for tenor and

This beautiful ballad is the perfect showcase for your alto soloist. The pensive melody and rich harmony combine to create a wonderful change of pace for your program. Starting as a ballad, it moves into an

Hey rock fans, here's a powerful rock ballad made famous by Journey, arranged for young jazz ensemble. From the opening line, this chart is magical to the band and the audience. It has no jazz solos, but if

A gorgeous and lush ballad setting of Dvorak's beloved theme - beautiful harmony accompanies the lyrical melody as the texture melts from transparent to full and lush.

Long recognized as the signature song for the Tommy Dorsey Orchestra, here is a beautifully arranged setting for young jazz ensembles. In a slow Basie-style swing, this chart features plenty of full

This ballad will showcase your lead tenor as well as the entire band. A wistful melody strolls across a lovely chord progression at a leisurely pace as varied tone colors and lushly harmonized sax solis

Although the first hit recording of this enduring standard was by the Glenn Miller Orchestra in 1940, Hoagy Carmichael's The Nearness of You has remained popular through the ages with recordings by

Composed in 1939, this popular standard features an amazingly tuneful melody and lush chords. Perfectly suited to the little big band format, this ballad is a perfect change of pace.

This straight-eighth chart in 3/4 is an accessible trumpet or flugelhorn solo feature with an outstanding jazz ensemble background. In a beautifully quiet ballad style, your developing soloist will shine as

Feature a young pianist with this gospel-style ballad. The solo is entirely notated except for a short section where the pianist needs to improvise over an easy four-bar sequence. The slow, infectious