One of a series, all premiered and recorded by the vocal ensemble VOCES8, this a cappella work is challenging, with independent parts, and a rich and diverse harmonic vocabulary.
A lullaby set to a text by William Blake. Flowing vocal lines with an expanded harmonic language.
Commissioned by Ex Cathedra for its Summer Music by Candlelight series of concerts. With German and English text, this work features free tonalities and very independent vocal parts.
This a cappella work for treble voices uses a rich harmonic language and flowing vocal lines to match the Emily Dickinson text.
Scored for SATB Choir, a cappella. 3'30"
An Introit scored for SSATBB a cappella with verse 2 from Psalm 5. Written as a raffle prize for and first performed by Westminster Abbey Choir. Approx 2 mins.
This work with a Rossetti text was written for a high school in England. The accompaniment requires a skilled and gifted accompanist, while the choral parts, which do stretch tonality a bit, are quite
Written for, performed, and recorded by vocal ensemble VOCES8, this beautiful a cappella work has flowing and independent vocal lines as well as mixed meters that accentuate the Lord Byron text.
A challenging yet interesting work featuring changing and mixed meters, a fairly free harmonic texture, and independent vocal lines.
The text by Sappho is full of energy, drive and emotion. This contemporary choral work explores a range of vocal and coloristic effects, such as whistling and chord clusters, that reflect the energy, beauty
This work explores the idea of memory, or memory lost, as an effect of living with dementia. The piece embodies the feeling the composer experienced the first time his grandmother looked straight into his
With Latin and English text, this Passiontide motet for unaccompanied choir intersperses solo or tutti chant sequences with choral response sections.
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