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Commissioned for the 1999 Papal Mass in St. Louis. In its simplest form, it can be performed with assembly, cantor and keyboard. There are also parts for handbells brass, flute, timpani and percussion.
A lively and energetic setting of the Gloria for two-part equal voices. Very usable in worship and liturgical settings.
The "alleluia" refrain for the sprinkling rite and again for the gospel acclamation uses the melody of the undulating vesper antiphon the Liber usualis. The sprinkling rite is scored for cantor,
Written for the Salisbury Cathedral Choir, these verses and prayers are traditional in style. This particular set includes a striking setting of the Lord's Prayer. This setting of these prayers will be a
Well-known sacred composer Michael Bedford has set verses and responses from the Book of Common Prayer. This setting is particularly well written and inspired by the text. This will be a favorite for you,
The octavo comprises settings of an introit, a call to prayer, an amen, and a benediction for each of four Psalms: 24, 67, 95, and 100. Each of the short pieces for SATB choir has its own reverent character
Developing choirs will be motivated and engaged by this unique set of three, short, original a cappella pieces. Written in contrasting styles, the opening Gloria In Excelsis Deo is exuberant and
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