This unique call-and-response piece inspired by African folk idioms is a truly unforgettable worship offering. The choir sings in English and Swahili, with a pronunciation guide and alternate English text

With lively call and response, options for percussion, and repetition to enable quick learning, this energetic arrangement of a traditional Zambian folk song will have your choir and congregation responding

Based on the Ghanaian folk song Nanuma, this anthem highlights important elements of worship: praising God in song, praying, and going forth to share God's love. Written for children, youth, and

A setting of a South African hymn in the isiZulu language. Written for solo and choir, the solo sections may be sung by a small group. Djembes may be included for concert performances, and body movement is

The text of this traditional Hebrew song comes from the Thirteen Articles of Maimonides, a revered 12th-century rabbi, translated as "I believe." Sung by many Jews who were victims of the

Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum

The innocent beauty of this folk tune adaptation will captivate you from the very first note. Presented with care, this exquisite berceuse for the Christ Child gives a melodic chronicle of the nativity

A collection of 14 villancicos de Navidad tell the Christmas story through the various musical styles of Latin America. These traditional and folkloric songs are grouped in four sections: Advent -

Here is an upbeat and fun song that uses a prayer text from Ghana translated into English. Syncopated rhythms that repeat throughout make this a perfect choice for any choir. Opportunities for optional

This responsorial Psalm setting in Spanish and English for SATB choir, cantor and assembly was commissioned by the Archdiocese of Washington for the first Mass Pope Francis celebrated in the United States

In Spanish and English, this setting of an Easter Alleluia uses SATB voices, cantor, assembly, keyboard and guitar with C instrument, trumpet, cello and percussion. The instrumentation adds layers of joy to

Filled with energy and joy, this multicultural anthem mixes English and Swahili texts with traditional choral textures and distinctive rhythms. A great choice for World Communion or themes of ecumenism and

With Gnothi Safton, composer Jim Papoulis raises the profile of Boomwhackers out of the elementary classroom and onto the concert stage. Including an original inspirational text that urges young

A fascinating mix of English and Arabic text reinforces the universal message to open our minds, hearts, and hands to each other. The lively piano accompaniment, notated djembe percussion part, and

"A tribute to nature and to life, but also a reminder of the increasingly apparent threats and challenges posed by climate change. The piece consists of three different musical and lyrical

This jewel of late-Renaissance polyphony for unaccompanied SATB voices was written by Spanish composer and priest Sebastian de Vivanco. Its subject is the commemoration of a martyr, making it

A longtime favorite, Amazing Grace gets a whole new musical setting that is truly inspired. Upbeat, with pleasantly syncopated lines and optional percussion, this a cappella original surely

"In the sweet summertime." A quodlibet that beautifully sets together two of Swedens' most popular summer-tunes (one sacred and one profane) with Gershwins' "Summertime."

This singular choral offering pairs a traditional Hindhi melody with the traditional hymn text, The Solid Rock. The a cappella texture features layered ostinati ("jaya, jaya ho") supported by

This Ghana folk song, paired with Tom Colvin's text, is often associated with Holy Week and Jesus washing the disciples' feet, but is appropriate for any time of year. This perceptive setting finds the