Johannes Brahms’s Alto Rhapsody is published here in a new Urtext edition, modernized for present-day performance practice. It is based on the 2nd impression of the first printed edition, as
A minimum quantity of 20 is required on this title.
Isabella Leonarda was one of the most prolific woman composers of 17th-century Italy, publishing 20 volumes during her lifetime including the first known sonatas written by a woman. This edition seeks to
A minimum quantity of 10 is required on this title.
A minimum quantity of 5 is required on this title.
From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style
Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory
With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the
This classic piece composed in 1865 holds a cherished place in the choral repertory for concerts, festivals and services. Presented with an English singing translation in addition to the original French,
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This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the
Mozart's lyric and energetic writing prevails in this handsome selection. Originally accompanied by orchestra, this edition uses piano and clarinet which work wonderfully. The piece salutes the soul and the
From the American Romantic Choral Series comes this lighthearted secular song. Written in Italian with an English alternative, the piece features a baritone solo with chorus response. Fun and well written,
A "fantasia" in the truest sense, this choral tapestry of English carols was composed in 1912 after Vaughan Williams had completed the scores for his first symphony ("The Sea") and the Tallis fantasia. In
G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with a piano or organ part
G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with full orchestral
The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting
A sprightly and refreshing piece, this fits perfectly in any program about spring, nature, or singing itself. It reminds us that, although often overlooked, there were many fine women composers active in
Energetic tempo, soaring vocal lines, and unified rhythmic texture create a rousing setting of Schulze's text about Jager (hunters) roaming the forest. The strophic form and straightforward harmony make
Engaging triple SATB choirs, this lively 16th-century work is appropriate for collegiate, community, and professional groups and will make a fantastic concert opener!
The spontaneity and charm of Mozart are evident in this brief choral work. While contrasting sections allow considerable space for musical interpretations, the entire work provides countless teaching
Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg
This well-known motet by Heinrich Schutz is more accessible than ever in this arrangement for a cappella SSATBB choirs. This edition contains conservative ranges with added dynamics and articulations to