Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory

Exquisite writing for voices, piano, and violin is on full display in this musical tribute to the composer's mother. The comforting text of Matthew 11:28-29 is brought to life through lush harmonies and a

For SATB choir and soprano solo. Fresh and unsentimental, this setting of the much-loved text is as beautiful as the familiar anthem by Stainer and a worthy alternative. While a cappella, with some work

This earnest, haunting setting of the familiar Latin text includes sensitive, skillful part-writing and seamless interplay between the voices and accompaniment. An outstanding piece for a mixed choir of any

In a masterful blend of early musical style with modern melody and harmonies, this beautiful setting of the traditional text shines with elegant simplicity. A rubato piano opening leads to a unison

The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety

The arrangement of this African American spiritual is both accessible and gorgeous. A short choral section is used for the introduction, interludes between verses, and at the conclusion, adding cohesion to

This remarkable new arrangement for SATB chorus and piano focuses on the inherent drama of the text. Each verse expresses a different reaction to its question about the Crucifixion. The piano accompaniment,

This is a poignant, sensitive setting of WONDROUS LOVE with a piano accompaniment reminiscent of tolling bells. Well-crafted choral writing ensures that your choir will enjoy learning and singing this

Part of the extensive library of Shaw–Parker choral settings, this expressive arrangement of an early American hymn tune is handled with care and dignity.