Adagio for bassoon and piano by Bernhard Heiden (1910-2000)- German-American composer, faculty at Indiana University. A beautiful edition of this lyrical work taken from Heiden's 1949

By Heinrich Baermann and arranged for Solo Clarinet and Clarinet Choir by K. Tod Kerstetter.

This transcription of the simple, elegant, and haunting slow movement from Beethoven's seventh symphony adapts the full symphonic work for a large double reed ensemble, suitable for symposiums and

America the Beautiful is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by Samuel A. Ward who was both church organist and choirmaster at

Based on the hymn GOD OF LOVE, this hymn tune adaptation was written for the fantastic flute section during my time teaching at Tabor College. This offering was a featured chamber work on the 2013 spring

In 2006, I was with my friend, Jeffrey Powers, at a regional horn conference. One evening we were out to dinner discussing some of his experiences playing in orchestras abroad. At the end of the

Blades of Grass was inspired by the poem Grass by Carl Sandburg (1878-1967):

"Pile the bodies high at Austerliz and Waterloo, Shovel them under and let me work-I am the grass; I cover all.

Blades of Grass was inspired by the poem Grass by Carl Sandburg (1878-1967):

"Pile the bodies high at Austerliz and Waterloo, Shovel them under and let me work-I am the grass; I cover all.

Cloudless Night paints a beautiful musical picture of the dark night sky decorated by bright stars. The piece features a relatively low register of the flute until the night shifts from peaceful to

Roesgen-Champion's Concerto No. 2 for Alto Saxophone, Bassoon, and Harpsichord (or Piano) is unique in the chamber music literature. (Despite the work's title, efforts to locate the Concerto