Contains 21 original or arranged quartets that can be flexibly used with any combination of wind and percussion instruments, making this an invaluable resource in the modern band room! These quartets

This flexible collection is a terrific resource for student groups, church musicians, family musicians and more. These Grade 3 arrangements are fully interchangeable and contain well-known classical

Dating from 1892, Daisy Bell is unquestionably the most famous and most enduring of the Victorian ballads. It is presented here in a light-hearted arrangement for wind quartet, featuring a solo

Flashpoint was written for Bassoons Across Nebraska, a professional bassoon quartet in my area. With the popularity of my previous bassoon quartet, Maverick Fanfare, I decided to write

For Bassoon Quartet by Richard Cioffari. Four Fagotten March was composed for the Northern Hills Bassoon Ensemble and Director Russ Hinkle. It is essentially a military-style march with

Four Fagotten Polka was composed for the Northern Hills Bassoon Ensemble and Director, Russ Hinkle, and is the fourth, simplest and last of the "Four Fagotten" series. A straight-forward,

An essential item for every ensemble! A tiny fanfare introduces the sing-along "Happy Birthday", leading into a quick rendition of "For He's A Jolly Good Fellow". Perfect for all those events where someone

For Bassoon Quartet by Don Gillis. A beautiful original quartet composed while Gillis was an administrator at the National Music Camp at Interlochen, MI.

Commissioned by the Blue Ridge Bassoon Quartet (Richard Meek, Andrew Witherington, Yvonne Kershaw, and Carol Bernstorf), Millennium Fantasy is an adventure through time. This piece rotates between

Works by Debussy, Elgar, Rachmaninoff, Brahms, Kreisler, Prokofiev and more! An incredible collection of 25 arrangements for strings, woodwinds, French horn and piano - these mix and match quartets allow

This is a straightforward yet beautiful arrangement of the famous tune.  It will require sensitive musicianship and good technique, but is such a fine piece, it practically plays itself.

The manuscript of this Prelude pour 4 Bassons ou Violoncelles bears the date 1902, during the time Gilson was professor of composition at the Brussels Conservatory. There are few original