For Bassoon and Piano by W. A. Mozart. The Bassoonists Revenge! Tired of hearing clarinetists play K. 191? This is the beautiful second movement of Mozart's final wind concerto, popularized by Meryl Streep

The Ballade for Bassoon and Piano, Op. 34, was composed for the bassoon studio examinations in 1912. The work is of moderate difficulty, only utilizing the upper range of the instrument to the

Berr's composition utilizes one of the most popular selections from Il barbiere di Siviglia (The Barber of Seville), composed in 1816 by Gioachino Rossini. Una voce poco fa (A Voice Echoes in

The Nutcracker Suite for Bassoons! Contains: Overture, March, Dance de la Fee-Dragee, Trepak, Arabian Dance, Chinese Dance, Dance of the Merlitons, Waltz of the Flowers.

Exaltabo Te (I Exalto You, O Lord) is one of Lassus's most beautiful motets. The text is the Offertory for Ash Wednesday and is taken from Psalm 29, or No. 30, depending on your denomination: "I

Five Arias from "Magnificat" BWV 243 by Johann Sebastian Bach (1685-1750) I. Ex Exultavit Spiritus meus II. Quia respexit humilitatem III. Quia fecit mihi magna IV. Deposuit potentes de sede V.

In 1950 Hovhaness composed Manko, a suite of fourteen pieces for oboe and bassoon. Ten of these are duets, six of which were published as part of the Suite for Oboe and Bassoon in 1968.

Bach composed the oratorio The Israelites in the Desert in 1769, utilizing a libretto by Daniel Schiebeler (1741-1771). The C-minor baritone aria, "God, See Thy People," No. 15 in the score, is the

The Grand Trio for Oboe, Bassoon, and Piano is historically significant for three reasons. The obvious distinction is that this is the first work of its type created by a female composer. In

For Bassoon and Piano, by Eugene Jancourt. Melodic work by the prolific bassoonist/composer/pedagogue Jancourt; great for introducing or strengthening familiarity with tenor clef as well as an effective

The Sonata pian ' e forte was given a new sound when the British bassoonist and musicologist William Waterhouse (1931-2007) transcribed the piece for an ensemble of eight bassoons. Gabrieli

Flament composed cadenzas for the first and second movements of the Mozart Concerto in B-Flat major, K. 191. He included the slow movement cadenza as part of his Method for Bassoon, but