Ahead of All Parting explores the emotions of life, death, and what lies beyond as told through the lush sounds of the harp and the dark, sonorous qualities of the mezzo-soprano and bassoon. 

An American Family for Clarinet Trio is a set of three musical essays constructed with the number three in mind. Three movements with three letter subtitles, written for three instruments – 2

Desert Miniatures: Insects was commissioned by Trio Sonora: Robert BeDont, Travis Jones, and Martin VonKlompenberg. The piece reflects on my time living in Tucson, AZ and all of the different types

For euphonium, tuba & keyboard percussion (piano reduction).  First printing.  Commissioned by Dr. Brian Meixner & Dr. Dennis AsKew for performance at the 2014 International Tuba and

For 2 clarinets & bassoon (or bass clarinet). First printing. Six short movements. Duration: ca. 12' 10". Score, 18 p. and parts.

The word 'intarsia' is derived from the Latin word interserere which means "to insert." The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within

For Two Bassoons & Piano. By Daniel Baldwin. Composer's Notes: Legend of the Fawn was written at the suggestion of my friend, Carl Rath. We were at a recording session of my music in November

A fun and challenging trombone trio in three movements with a fresh and contemporary sound. An excellent choice for college and chamber recitals. 

Now here's a composition to add a little spice to your concert. Written in the style of big band jazz, this is a swinging piece and something that your audience will enjoy. Audience and performers love this

For Oboe, Violoncello, and Harp. By Joan Vincent Machi i Castell. Composer's Notes: The first sketches of this trilogy and its poetry were composed in the winter of 2001 and finished in November of 2003.The

This ambitious piece, melodious and lively, is one of Mendelssohn's most popular chamber works.

A dramatic work comprising seven variations on the well-known folk melody Beautiful Minka. Originally written for flute, cello and piano, the flute part has been edited for

For Clarinet, Bassoon and Piano, by William Yeates Hurlstone.