For any class, group, or ensemble, Zavaro has crafted a four-part performance piece which uses only the human body as instrument. Slapping abdomen, thighs, and making whistle and kiss sounds, the
This piece takes its name from the obsessive and insistent nature of the music. The hocket-like interplay between all three parts, sudden changes in dynamics, displacement of the regular beat, and the
An incredibly unique idea! Requires no instruments! Written for 8 to 16 players, everyone claps, snaps, taps, raps, and does all sorts of things to create a really cool effect. A great change of pace
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