For solo harp at an advanced level.
As part of the season's theme at Bayer Kulhtar (outside of Cologne, Germany), Escaich was commissioned to write a piece on "Orpheus and the Harp," to be premiered by the harp master Isabelle
Perfect for a Sunday morning prelude or a lovely, quiet change of pace in a concert setting, this original composition is a meditative piece featuring a lyrical and memorable melody. The martellato
An elaborate set of variations on a traditional four-measure repeating harmonic pattern.
This exhilarating work, originally for four harps, was commissioned by renowned harpist Emily Mitchell for the New York University Harp Ensemble. Ms. Mitchell later commissioned the composer for a two-harp
For harp. First printing. Commissioned by and dedicated to Carolyn Mills. Includes program and biographical notes. One movement. Score, 6 p.
For advanced solo harp, Lejet has written a showpiece of opposites - extremes in range, tempi, and dynamics. Fulgarances was used as a final exam piece for the Harp Study Certificate at the
One of Gary Schocker's earliest compositions, In Memoriam is a beautiful 3 1/2 minute tribute within the reach of intermediate harpists, especially fitting for memorial concerts as well as
For solo harp. First printing. Music based on the composer's earlier Ave Maria setting for chorus. Includes program notes. Duration: ca. 11'. Score, 15 p.
BE THE FIRST TO KNOW
Sign up for emails to stay informed about the best new music, events, and everything you need for the upcoming season.