Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement

This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the

Introduce your tenor-bass ensemble to Baroque style with this powerful chorus from Handel's oratorio Judas Maccabeus. Adapted for just two voice parts, this arrangement preserves much of the

The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting

Energetic tempo, soaring vocal lines, and unified rhythmic texture create a rousing setting of Schulze's text about Jager (hunters) roaming the forest. The strophic form and straightforward harmony make

This arrangement of Schubert's charming part song about the little shepherd girl is rewarding to learn and fun to sing. With a helpful phonetic pronunciation guide included, the Italian text is very

Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg

This invitation for a rendezvous on the sea beneath the stars is colored by a spiraling piano accompaniment and largely homophonic vocal lines. The setting makes the most of Chausson's music in this lovely

Generations of solo singers have cherished this classic German art song, and now your choir can sing it, too! Schubert's original piano part provides the rich chromatic language from which the voice parts

Here is a classic tenor solo aria arranged for developing tenor-bass choirs that is both a wonderful teaching tool for its historical and vocal pedagogical value and an impressive festival or concert

While this piece is a standard in the baritone solo repertoire, this setting has turned it into a wonderful opportunity to explore this classic with your whole tenor-bass ensemble. The early 20th-century

Tenor-bass choirs will delight in singing this arrangement of Victoria's beloved motet. This motet is excerpted from his first Pange Lingua and incorporates the original Roman melody, or cantus

An excerpt from Vespers for the 21st Sunday after Trinity, this work is scored for tenor-bass choir, cello, and contrabass. Advanced singers will enjoy the contrast between the melismatic lines and the

Heinrich Heine was a favorite poet for Mendelssohn. In Wasserfahrt, or "waterway" in English, Heine provides a pictorial poetry that Mendelssohn seizes upon.  Throughout this short piece,