Johannes Brahms’s Alto Rhapsody is published here in a new Urtext edition, modernized for present-day performance practice. It is based on the 2nd impression of the first printed edition, as
This operatic gem for choir is often referred to as "The Gypsy Chorus." The drama and playfulness of the original orchestration are well preserved in this playable piano accompaniment, while Verdi’s
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Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement
Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the
Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic
One of the most recognizable pieces in vocal standard repertoire is brought to the tenor-bass choral world in this new adaptation of an old favorite. The original setting and melody is preserved for
This stately and elegant setting of Purcell's masterwork from Birthday Ode for Queen Mary is adapted specifically for developing choirs. With vocal ranges that work well for young singers, the
Schubert lied with text from Muller arranged for treble or tenor-bass choirs. True to the original, with German text and English translation provided in the score.
This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the
Introduce your choir to Vivaldi's masterwork with this sensibly adapted edition for developing choirs. Conservative ranges and the accessible Latin text give an educationally sound experience with high
Introduce your tenor-bass ensemble to Baroque style with this powerful chorus from Handel's oratorio Judas Maccabeus. Adapted for just two voice parts, this arrangement preserves much of the
This arrangement of Schubert's charming part song about the little shepherd girl is rewarding to learn and fun to sing. With a helpful phonetic pronunciation guide included, the Italian text is very
Originally written for the dedication of the chapel in the New Cathedral in Linz, Austria, this choral classic is the perfect selection for dedications, graduations, or general concert purposes. While the
Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg
Here is the beautiful final movement from Giacomo Carissimi's oratorio Jephte. Originally for SATB choir, soloist, narrator and instruments, here is a new arrangement for tenor/bass voices that
A beautiful adaptation of this Schubert standard! This piece is equally appropriate for concert or worship settings and presents wonderful teaching opportunities for lyrical singing along with an
Here is a classic tenor solo aria arranged for developing tenor-bass choirs that is both a wonderful teaching tool for its historical and vocal pedagogical value and an impressive festival or concert
While this piece is a standard in the baritone solo repertoire, this setting has turned it into a wonderful opportunity to explore this classic with your whole tenor-bass ensemble. The early 20th-century
Tenor-bass choirs will delight in singing this arrangement of Victoria's beloved motet. This motet is excerpted from his first Pange Lingua and incorporates the original Roman melody, or cantus
Heinrich Heine was a favorite poet for Mendelssohn. In Wasserfahrt, or "waterway" in English, Heine provides a pictorial poetry that Mendelssohn seizes upon. Throughout this short piece,
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