A real jazz classic, this chart kicks! The features include a medium swing style, a written or improvised solo for tenor sax, meaningful ensemble passages, exceptional soli lines, superb phrases, and a

Flexibly arranged for three-plus horns and rhythm section, this combo chart features four great jazz standards. Titles are: A Night In Tunisia; Lover Man (Oh, Where Can You Be?); Chameleon and

Featuring iconic classics by Charlie Parker, Thad Jones, Neal Hefti and George Gershwin, this three-plus horn and rhythm section set contains parts for Bb, Eb, C instruments and Piano, Guitar, Bass and

Featuring flexibly scored combo arrangements for three-plus horns and rhythm section, this set includes four complete tunes: Norwegian Wood; The Girl from Ipanema; All the Things You Are and

There have been a lot of published charts on this great Ernie Wilkins arrangement, but this is the original version as played and recorded by the Count Basie Orchestra. Moten Swing is possibly the

Penned by Sammy Nestico, this chart is a relaxed moderate blues. Written for the Basie/Nestico collaboration on the album Basie-Straight Ahead, it's perfect for advancing groups. It is also a great chart

After the initial statement, Greg Yasinitsky gives this Benny Goodman treasure an updated and contemporary flair while remaining true to the original. It's all there in this exciting chart... nice

Sammy Nestico wrote this classic chart for the Count Basie Orchestra and it was recorded on the album Basie - Straight Ahead. An approachable chart for advancing groups, this minor blues outing features

Perhaps the most famous time chart of all, Take Five is in 5/4 - but the rhythmic pattern is clear and consistent throughout. You'll find this arrangement very accessible, with easy alto sax and

Mercer Ellington's classic blues shuffle gets the Baylock treatment! The style is down home and the solos are for alto, trumpet, trombone, and tenor sax.  Also included is a powerful

Wow! If Nat Adderley could hear this chart on his iconic jazz standard, he would be pleased! The first statement stays very close to the original, which is a good thing. The solos are for written or