This swinging classic song in a call-and-response style offers young singers a taste of vocal jazz. Fall-offs and flips are explained in the performance notes, the choral scat section is fully notated, and
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In the Jazz Explorations series for developing jazz choirs, this whimsical song from Simon & Garfunkel is a perfect introduction to style, technique and blend.
A wonderful choice to expose younger choirs to elements of vocal jazz style in this swingin' tune by Louis Prima. With a careful approach to voice leading, range, jazz rhythms and even notated simple scat
Hot horns and vocals make this Latin standard into an incredible feature for jazz and show choirs. With opportunities for solos, and great instrumentals, this chart will be a fun change of pace for your
Developing mixed and treble choirs will enjoy performing this jazz inflected doo-wop song written in the 1930s, but made popular in 1961 by the Marcels. With careful attention to range and voice-leading,
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Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm, flugelhorn and flute. "Blue days, all of them gone.
The classic pop song first recorded in the 1950s by Tony Bennett and later made popular by Bobby Vinton has been given a fresh, jazzy setting for choral groups. This arrangement is lush, with modern
This combination of Birth of the Blues and Blues in the Night is filled with all the jazzy nuances you expect in such golden oldies. Use the recorded accompaniment track or a live combo to
Get your boogie down with this 1980s classic by Al Jarreau - it has a funky feel that still grooves! Great solo opportunities and vocal riffs make it a super feature for pop, jazz and show choirs!
Develop intonation, blend, rhythm, and solo techniques with this vocal jazz setting of a song originally made famous by Petula Clark in 1965. Solo opportunities, including a written-out scat solo, and parts
A Duke Ellington Latin jazz classic in this Afro-Cuban setting, this song is an energetic selection that will make your choir and audience want to move their feet! Fun and rewarding for your group to
"I'm building all my dreams around you, my happiness will never cease. But nothing's any good without you; 'cause, baby, you're my centerpiece." This vocal jazz classic from the iconic group Lambert,
Originally a "Hard Bop" instrumental by sax great Benny Golson, Quincy Jones brought his genius to the song when he penned lyrics to this melody. Killer Joe exploded onto the scene in Quincy's
Get hip, little dogies! This country blues tune made popular by Ella Fitzgerald in the 1940s makes a great swingin' western-style novelty, perfect for themed concerts. This well-done vocal jazz arrangement
Frothy fun for caffeine lovers everywhere! From the swingin’ echoed phrases of the catchy chorus to the tasty "with extra foam" ending, this creative chart is equal parts education and fun. Extend the
This Discovery Jazz series edition of Stevie Wonder's 1973 song packs all the joyful Latin energy you would want into an accessible arrangement that is super cool and fun to sing. Great for building skills
A fast swing intro punctuated by piano, bass, drums, and finger snaps leads into a jazzy arrangement of the traditional spiritual unlike any you've ever heard. The choral parts are fun to sing with scoops,
Based on Duke Ellington's composition C Jam Blues, this is a classic, swinging chart arranged for developing choirs. The "riff" style is explained, and example riffs are notated in the performance
In an easy swing style, this arrangement combines Falling in Love with Love and This Can't Be Love, both from the Rodgers and Hart musical "The Boys from Syracuse."
Set in a fast swing above a walking bass, this Gershwin standard really cooks! Featuring a wailing group scat chorus, experienced vocal jazz groups will wow the crowd in this sensational chart!
This gentle Brazilian Bossa Nova is one of the most performed songs of all time, and this new arrangement is a wonderful introduction to composer Antonio Carlos Jobim and his signature style. The vocal
This tastefully arranged standard is from the little-known 1965 movie "Harlow." Set in a bluesy swing style, this vocal jazz arrangement is accessible to beginning SSA ensembles. "Please understand the
From Benny Goodman to Bette Midler and so many other artists, this classic song is forever popular. Beginning with a heartfelt solo, the arrangement goes into a relaxed gospel style, setting the melody and
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