This collection of a cappella jazz standards delivers plenty of musical flair at a value! Perform these pop and jazz classics with your concert choir, or use as a curriculum with your vocal jazz group. And
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Deke Sharon and J.D. Frizzell have provided a wide array of warm-ups specifically designed for pop and jazz choirs that will also work well for contemporary a cappella groups. There are over 39 creative
The beautiful simplicity of the timeless melody is further enhanced by lush chord changes and tasteful phrasing in this a cappella arrangement. This classic standard from the Kern and Hammerstein musical
This Lerner and Loewe hit from "Brigadoon" works beautifully for a cappella voices in this swingin' setting by Darmon Meader of New York Voices fame. Opening with the verse at rubato tempo, it soon takes
Originally written for the 1932 musical "Flying Colors," this jazz standard has been recorded by a "who's who" of jazz icons, including Dizzy Gillespie, Miles Davis, Julie London, and Ella Fitzgerald. This
Swing your way into autumn with this stunning vocal jazz selection by noted arranger Paris Rutherford. Close jazz harmonies, optional solos, and extended section "scat" riffs distinguish this vocal jazz
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As recorded by Manhattan Transfer, here's a funky fusion setting of the jazz classic by Josef Zawinul and lyricist Jon Hendricks. For experienced vocal jazz groups with soloists, this is very impressive!
Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm, flugelhorn and flute. "Blue days, all of them gone.
Legendary harmonica player Toots Thielemans created this famous jazz standard which has been covered countless times. This arrangement begins simply, allowing your choir to establish the groove with
A Duke Ellington Latin jazz classic in this Afro-Cuban setting, this song is an energetic selection that will make your choir and audience want to move their feet! Fun and rewarding for your group to
This well-crafted arrangement is true to Johnny Mercer's original idea while still being fresh and new. A rubato section in straight eighths opens this rich a cappella setting before breaking into a
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