This arrangement, based on the original autographed edition, introduces everyone to a little known classical gem by Michael Haydn, the younger brother of Joseph Haydn. With either piano or ensemble

Evocative and moving polyphony paired with a text meditating on mankind's relationship with God.

Johannes Brahms’s Alto Rhapsody is published here in a new Urtext edition, modernized for present-day performance practice. It is based on the 2nd impression of the first printed edition, as

Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate

A beautiful choral piece from the American Romantic Choral Series. Using a mixture of Latin and English, this Ave Maria setting captures the harmonic chromaticism of its time. It is relatively easy and

Composed in 1842 during Liszt's most active period of touring, the sweet tunefulness of the main melody contrasts with moments of solemnity and drama at other times. Plainchant is recalled in his frequent

A serene and devotional work to the Virgin Mary in polyphonic style.

Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the

With Grieg's characteristic lyrical style and Romantic chromaticism, this unaccompanied work is written with mostly homophonic textures. Grieg's setting of this sacred Latin text occasionally divides into

Isabella Leonarda was one of the most prolific woman composers of 17th-century Italy, publishing 20 volumes during her lifetime including the first known sonatas written by a woman. This edition seeks to

Stanford’s setting of this Latin text for six unaccompanied voices ventures into limited polyphony in a late Romantic, lyrical style. Piano reduction included.

This newly edited and re-engraved excerpt is from the Liszt's larger work Christus. This selection opens the second of three sections of the oratorio  which describes the life and ministry of Christ.

Grounded and powerful, this work rises and falls with tuneful motifs shared between upper and lower voices.

From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style

A cleverly written piece with a text by Alfred Lord Tennyson, the music at times reflects a madrigal with romantic era harmonies. The sound of the bugle is described in a rhythmic motif that is echoed and

Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory

With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the

Probably Faure's best-known and most frequently performed work next to his Requiem. The lovely melodic lines are over triplet figures in the accompaniment, which can be done on piano, harp, or with a small

This classic piece composed in 1865 holds a cherished place in the choral repertory for concerts, festivals and services. Presented with an English singing translation in addition to the original French,

Confitebor Tibi (Psalm 111) is the second movement in a collection entitled 14 Psalmi breves (14 Short Psalms) by Johann Aiblinger. Written for SATB choir and piano or optional strings,

This piece from Missa Abreviada, CPM 112, has been edited for choir with solo quartet and piano accompaniment. Beginning slowly, the piece moves into a spirited fugal setting of the traditional Latin