This composing dynamic duo has teamed up to bring us a delightful arrangement of the familiar tune. Alternating 3/4 and 6/8 meters create exciting and upbeat rhythms with the familiar melody woven

With constant flowing sixteenth notes, arranger Matthew Compton gives the tune BEACH SPRING a refreshing and meditative setting. Well worth the challenge, this arrangement will make a fine addition to any

For the Easter season, here is an effective, rhythmic setting of a Joel Raney hymn setting that has been newly transcribed for handbells by Arnold Sherman. With a tempo marking of Con brio, you can imagine

Opening with a motive based on the first three notes of the melody, this dynamic setting will be a welcome addition to any worship, concert, or festival experience. Filled with contrasting sections of

This classic jazz standard soars to new heights in this dynamic fresh setting. The addition of the synth part, along with percussion, will leave the audience dancing in the aisles. Commissioned by Jennifer

Bursting with dynamic vitality, this exciting setting combines the hymn tunes CRUCIFER and ST. MICHAEL most commonly paired with the hymn texts Lift High the Cross and Stand Up and Bless the

This jazz/blues rendition of the familiar spiritual is sure to get everyone's toes tapping. Full of fun stopped techniques, it features a lively bass line which is challenging but worth the effort. Ringers

Beautiful, haunting, and reflective, this well-crafted arrangement of the Welsh hymn tune ABERYSTWYTH will be appropriate for Advent, Lent, or any reflective time in community handbell programs. Low chimes

“Invictus" (meaning undefeated or unconquerable) is a tour de force original composition. Moments of struggle, reflection, celebration, and triumph in this piece tell a story throughout this concert

This 1963 pop standard was released by Andy Williams for his first Christmas record and is a celebration and description of the many and varied activities associated with the holiday season. It focuses on

Joel Raney draws from his jazz roots for a new rendition of this classic Christmas song for 3-5 octaves handbells with optional 3-5 octave handchimes and percussion. Reminiscent of the glamorous days of the

A very intentional homage to Brubeck, this setting by Sondra Tucker captures the smooth jazz flavor so characteristic of his sound. The mellow harmonies give way to a gentle swing in the middle section,

Based on the platinum-selling hit by the group fun., here is Doug Anderson's catchy setting of this indi-pop sensation. Arranged for 3-6 octaves handbells with optional 2 octaves handchimes, plus optional

This plaintive song from Fiddler on the Roof is given a well-crafted setting by Andrea Handley. It should be played with sensitivity and careful observance of the dynamics. A great addition to