The beautiful and haunting Irish melody, SLANE, is here set for handbell quartet. The upper two parts are on the top stave with the other two parts having separate staves. Performance instructions are given

This piece is performed entirely with mallets with a few martellato lifts in the middle to create contrast and bring excitement to the piece. This is a challenging arrangement due to the tempo and key

This timeless tune is based on a Ukrainian folk chant called Shchedryk, which means "bountiful," and was originally a New Year's well-wishing song. New lyrics in English have made this beloved tune

This fantasy for 4-octave handbell quartet is from "Lyra Davidica" and is a "busy" piece with shifting meters, eighth-note accompaniment figures and lots of chromatic movement. Helpful performance notes are

This classical piece uses Ring, TD, and mallet techniques to highlight the various tempo changes throughout the piece. When all four ringers are malleting, it is as though eight mallets are dancing on the

The setting of the familiar carol uses Singing Bells and suspended mallets at the beginning to accentuate the silence of a starry night. In the middle, the melodic line is transferred from the bass ringer

This delightful and familiar minuet has been beautifully arranged for handbell quartet. The elegant melody is rung while being supported by graceful LV sixteenth-note passages. There is a brief minor

Marked as a medium-level difficulty quartet, ringers will find the challenge in counting eighth-note rests and chromatic bell changes. The 4-octave score includes all four parts on one page with eight pages

Elegant, lyrical, and beautiful, this transcription features the melody in the upper treble supported by a sonorous and lyrical accompaniment using LV throughout. This well-crafted quartet will be a

In this arrangement of the traditional Neapolitan song, Ringers 1 and 2 use two simultaneous techniques (mallet roll and shake) to imitate the sound of a ukulele. After a short transition, the tune is

This Leroy Anderson favorite has been called "one of the wittiest and most clever pieces in the orchestral repertoire" and was written to include a physical typewriter as a solo percussion instrument! This

This popular Christmas carol is written in 6/8 time which gives a new flavor to the piece. Various contrasting techniques such as TD, LV, RT, vibrato, and martellato along with a subito tempo change engage