This four-movement suite of traditional carols includes Once in Royal David's City; Sing We Now of Christmas; Still, Still, Still and Angels We Have Heard on

This very effective SSA setting of the Catalan Christmas carol El Cant Dels Ocells has a very haunting accompaniment for piano or four handbells. Occasional use of a cappella moments provides

A Christmas lullaby carol in triple meter with a sweet melody, this piece is scored for SATB voices accompanied by piano and violin or chamber ensemble. The choral texture varies by verse, with verses one

Two ancient chants combine in this ethereal choral setting that will provide a moment of hushed wonder during the Christmas season.  Creator of the Stars of Night and Of the Father's Love

This newly-composed Christmas carol is a gentle invitation to the mystery of the Incarnation. The melody, scored for SAB voices and optional congregation, could also be sung by children's voices.

An attention-getting opening selection for a choral festival or festival service. An opportunity to combine your adult choir, children's or youth choir, brass, and keyboard in this wonderful arrangement of

Almost any church can incorporate a service of lessons and carols into their December worship venue. This wonderful work is based on the theme Witnesses to the Nativity. It includes nine familiar

An accessible rendition of this 16th century English carol. The arrangement is simple, yet moving. Mr. Hopson alters the melody and harmonic language as the piece progresses.  This accompanied carol is

A simple but transcendent setting of the chant tune CONDITOR ALME SIDERUM, this movement from Kneeling in Bethlehem begins with men in unison against a handbell ostinato. The second stanza is

Recently celebrating its 50th year in print, this breathtaking choral essay is simply one of the finest choices for Advent or general services with a text based on Revelations 22. Conceived for a

This setting of the beloved Christmas carol alternates the traditional melody with original material that beautifully illuminates the text. From beginning to end, the silky smooth flow continues as the

A lively, sacred Renaissance piece from the 14th century. It may be sung in Latin or in English and uses both treble choir as well as SATB chorus.  The percussion parts are included in the score and