Continuing the popular 12 Bells in F series, this collection features some of our greatest hymns: Holy, Holy, Holy; Thine Is the Glory; And Can It Be; Be Thou My Vision; It Is Well With My Soul; Jesus
As with the other titles in the 12 Bells in F series, you'll find this collection of favorite hymns of praise very useful when performing with fewer ringers. No bell changes means no table is
Bring your favorite spirituals to life in these 12-bell arrangements suitable for 3-6 ringers (F5-C7). Perfect for short-handed, socially distanced ringing, these favorites are sure to please both ringers
Perfect for small choirs and ensembles, this collection for Christmas continues the 12 Bells in F series. Written in the key of F, all the conventional line/space assignments remain the same. There are no
Fun for summertime with limited ringers, these gospel hymn favorites will strike a familiar and happy chord with many worshipers. Because there are no bell changes, no tables are required. Bell assignment
This reproducible collection of three Christmas favorites features a bell tree soloist accompanied by a handbell or handchime choir. The result is fresh, interesting, and beautiful. No bell tree? No
This reproducible collection is for a bell tree soloist (3 octaves) accompanied by chime choir (3-5 octaves). The three titles are appropriate for use throughout the year: Come, Ye Sinners, Poor and
This medley incorporates the hymns Down at the Cross; At Calvary and I Stand Amazed in the Presence. Moving from 4/4 to 12/8 and back, the piece has a lot of rhythmic and
This arrangement of a traditional Gaelic melody, used for several hymns including Morning Has Broken, begins and ends very energetically with light and lively malleted rhythms to set the
A minimum quantity of 6 is required on this title.
The composer's creativity shines through in this very interesting original piece that works as well with two octaves as it does with three. If you use it in school, just shorten the title to "Celebration."
This arrangement of the Easter tune MORGENLIED includes the text of the hymn for ringers to sing along with the congregation. Optional B-flat trumpet or piccolo trumpet adds Easter morning
This exciting arrangement is perfect for Easter! Although it is written for 3, 4, or 5 octaves, there are no bell changes, meaning it can be played by a full choir with or without the use of tables. A
Featuring mart lifts and malleted bells on the table, this lively arrangement is useful for worship during any season, but it will be especially effective at Easter. With easy rhythms and few bell changes,
Joyous and full of interesting techniques throughout, this festive presentation of CHRIST AROSE and JUDAS MACCABEUS sparkles with excitement. Handchimes (3-4 octaves) and flute part, while optional, make
This beautiful arrangement combines the hymns HE LEADETH ME and GOD BE WITH YOU and will be useful for general worship or memorial services. Unexpected harmonies and optional handchimes (3-6 octaves) add
This joyful arrangement allows beginning groups the chance to work on techniques and musicality, all while ringing and performing a true Christmas classic. More advanced groups will find this satisfying to
While there are many complicated arrangements of this great hymn, this setting gives us a fresh take that will be accessible to most choirs. Text is included between the staves, making it easy to accompany
This arrangement of this Easter classic majestic expresses the joy of the day. The staccato notes throughout add a great deal and may be thumb damped or malleted with the bells on the table. Handchimes
This fun arrangement of an old favorite is a welcome addition to the repertoire. The piece keeps everyone active and utilizes a few special techniques. A few chimes carry the melody for one verse. This is
Enjoy this exciting arrangement of this well-known hymn filled with rhythmic energy and a flute part, that, while optional, is a lovely addition. The full bass chords using the echo are very effective. This
The hymn tunes I LOVE THEE and GORDON are set back to back, separated by a short interlude. Lyrics appear between the staves.