Oumuamua (Euphonium and Piano) was inspired by the eponymous interstellar space object observed in 2017.  Scientists have forwarded many different theories to explain its motion, physical behavior, and

...?! is a work for solo snare drum and marimba ostinato. The title, pronounced as a confused gasp, is an onomatopoeia for the five-beat theme presented by the snare drum following the loud

10 Improvisational Flute Etudes written and performed by 3x Grammy winning saxophonist/flautist Jeff Coffin (Dave Matthews Band/Bela Fleck & the Flecktones) over the changes of 10 jazz

This collection of sacred hymn arrangements are ideal for the medium to advanced violist. They are written without accompaniment and are designed to allow for the artist's freedom with tempo and

This collection of sacred hymn arrangements are ideal for the medium to advanced violinist. They are written without accompaniment and are designed to allow for the artist's freedom with tempo and

All 26 of the Standard American Drum Rudiments, their variations and a number of compound rudiments are used here to establish the countless possibilities which present themselves within the bounds of the

Each duo is titled for the musical form it utilizes and can be played complete without turning a page.  The 2 parts are of equal importance and difficulty, crossing frequently. Grade 3 - 4+

3 Excursions, by Joseph Turrin treads gratifying terrain. Neither diatonic nor abstract, in an idiom familiar to performers and listeners, 3 Excursions is a handsomely crafted showcase for

The collection of 12 fantasias for solo violin (TWV 40:14-25) by Georg Philipp Telemann (1681-1757) was first published in Hamburg in 1735. The Italian influence of the sonata and concerto is clearly

The collection of 12 fantasias for solo violin (TWV 40:14-25) by Georg Philipp Telemann (1681-1757) was first published in Hamburg in 1735. The Italian influence of the sonata and concerto is clearly

Published in early 1806, Kreutzer's "40 Études ou Caprices" for violin are the product of his years-long employment at the Conservatoire de Paris. Their systematic and complete reappraisal of

This set of variations was written for oboist and friend Lindsey Lyrenmann. They were designed to be a launching point for improvisation during the communion portion of the December 21, 2014 services at