SATB Light And Novelty

This rousing English music-hall song was arranged for the hit television production of Agatha Christie's Why Didn't They Ask Evans? The song accompanies the final wedding scene and is full of joy

Here's a novelty piece that will steal the show! Beethoven's Fifth Symphony is set for a cappella voices with some creative vocables, style, and a touch of humor. The TTTBB arrangement is the actual

A fantastic piece to teach vowels, diction, rhythms, and pitch precision, this English folk song is fun to sing and impressive to perform. The nonsense syllables represent birds and bats chatting to one

The humorous poem by Lewis Carroll from Through the Looking Glass is brought to life with wit and marvelous choral effects in this unique and charming piece. The innovative use of a variety of

This delightful medley of beloved children's songs is set in mixed and asymmetrical meters with a tempo indication that says "as fast as possible!" Mixed and treble choirs will enjoy the challenge of

The Lion and the Mouse joins The Boy Who Cried Wolf and The Tortoise and the Hare to complete Darmon Meader's jazz-infused Aesop's Fables trilogy. This charming a

This lighthearted concert work is a fresh take on a folk song, newly composed, but feels awfully familiar! The catchy melody and open harmonies hearken back to traditional American folk songs, but the final

Need a hilarious change-of-pace novelty number for your concert? This is it! An a cappella setting of the traditional children's song everyone knows that was specially crafted for Disney's Voices of

With tongue firmly planted in cheek, the composer has set this 18th century text describing how children should behave in church. The music is light and allows lots of space to color this very funny and

A stunning arrangement of the memorable standard by John Rutter.  Flute with a cappella voices creates a distinctive sound that reflects the true nature of the song - misty, thought-provoking, and

Here's a creative, fun arrangement that Mozart never would have imagined – but would have appreciated! His famous instrumental work has been transformed into a gleeful showcase for a cappella voices.

This round, which is used in Bernstein's Mass, was written as a Warm-Up to the full compostition of Mass.

A nonsense song which allows for simple staging where the singers make the nonsense syllables into a language which only they can understand. They may be argumentative, friendly, confrontational,