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Adapted from a Bach cantata, this joyful work will allow two or three part ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression.

Adapted from the original, Hadyn's recognizable Gloria from Harmoniemesse is accessibly set for SAB voices. Lowered to G from the original B-flat, these ranges sit comfortably in the voice, and the

This, the first of Handel's four Coronation Anthems, has been a cherished part of the crowning of British royalty from George II in 1727 to the current sovereign, Charles III. Perform with the accessible

This Baroque selection has been adapted for mixed or treble voices and given an accessible piano accompaniment in this excellent arrangement. Stylistically authentic, it gives great opportunity to teach

G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with a piano or organ part

G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with full orchestral

Two of Clara Schumann's most renowned solo art songs, Sie liebten sich beide and Warum willst du and're fragen, are beautifully adapted for treble choirs. Retaining the original German

This adaptation of Mozart's choral work has been carefully edited with dynamics and phrasings to help choirs realize the composer's intentions and perform this classic with stylistic integrity. Singers will

From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive yet approachable Baroque selection for developing choirs. The short Latin text is easy to manage and will

Taken from Haydn's masterwork, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Classical period,

This canon on the famous text from Ecclesiastes ("Vanity, vanity, all is vanity") was published by the Dutch composer in 1619, originally a part of his larger work Cantiones sacrae. This

Generations of solo singers have cherished this classic German art song, and now your choir can sing it, too! Schubert's original piano part provides the rich chromatic language from which the voice parts

Often considered to be one of the first great American female composers, Amy Beach's art songs are stylistically similar to those of other late-Romantic European composers. Here we have two solo art songs

Beginning with joyous acclamations, this exuberant piece features a polyphonic middle section followed by a lyrical presentation of the "amens" and the return of the homophonic style in the closing

Adapted from a choral movement from the oratorio "Judas Maccabaeus," this is a wonderfully joyful anthem for treble or mixed choirs and an excellent introduction to Baroque style!

This chorus from Haydn's "Heiligmesse" is an ideal introduction to Classical style for treble choirs. Explore musical phrasing, quality tone production, and pure vowels with this simple Latin text and

Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement

Here is a classic tenor solo aria arranged for developing tenor-bass choirs that is both a wonderful teaching tool for its historical and vocal pedagogical value and an impressive festival or concert

Lilting and dance-like, this traditional a cappella madrigal will be a delight to learn and perform with SATB choirs, especially developing choirs being introduced to the genre. With its brisk tempo,

An exuberant chorus by Gluck from his opera "Alceste" is set for SSA voices with optional flutes. An English text is included, as well as a pronunciation guide for the original French. Joyful and

Introduce your choir to Vivaldi's masterwork with this sensibly adapted edition for developing choirs. Conservative ranges and the accessible Latin text give an educationally sound experience with high

Cherubini's 18th-century masterwork can be performed either a cappella or with the supportive piano accompaniment, providing flexibility for concert or festival programming. An accessible Latin text (with