This bright setting of the beloved chorus from Handel's "Messiah" is straightforward and accessible to intermediate choirs. Its bold sound is bound to inspire your congregation or concert audience.
A minimum quantity of 6 is required on this title.
Handbells rung in chordal texture with lots of spicy techniques thrown in are only part of the overall sound ensemble of this tune originally written by T. Susato. Keyboard, percussion, and brass contribute
Enjoy this gem from the Renaissance period, with lively rhythms and a stirring sound. Versatile, fun, and exciting, it will be equally at home in a school performance, community concert, church service, or
This beloved chorale is set for handbells in a series of variations that make it a wonderful piece for school, church, and festival. The varied techniques and terraced dynamics make it a great teaching
A minimum quantity of 5 is required on this title.
This familiar classical piece has been faithfully transcribed for handbells. While being rhythmically accurate, be sure to keep the legato feel of the dotted eighth/sixteenth note figure that is prominent
Dan Edwards has woven three much-loved Messiah themes into a very satisfying and accessible arrangement for handbells or handchimes. Includes portions of: And the Glory of the Lord; For Unto Us a Child
This classically themed arrangement patterned on Pachelbel's famous Canon in D introduces handbell ringers to many different handbell techniques. There are no bell changes within the work, allowing ringers
A minimum quantity of 4 is required on this title.
The Largo movement, the most familiar part of Dvorak's "New World" symphony, it is also called Goin' Home. The two arrangements in this folio one a Level 1, the other Level 2 - try to
Taken from a Renaissance dance, this tune may be simple, but it has a style that is both fresh and exciting. A great choice for beginning and school groups, and one that more experienced choirs can learn
Bach's famous chorale is transcribed here for handbells by a master arranger. True to the choral score, ringers will be challenged to keep the triplet figures smooth throughout.
A staple of piano literature, Clementi's Sonata in C, op. 36 no. 1, sounds equally elegant when played on handbells or handchimes. For those smaller choirs looking for more challenging repertoire, this
This spirited winner of the 2021 Into the Forest Bell Tree Composition Contest uses one 3-5 octave set of handbells and one 3-5 octave set of handchimes, with no duplicate bells needed for the bell
This arrangement of an Elgar piano classic (translation: Love's Greeting) is simple to learn for most intermediate choirs and features flowing melodies and lush harmonies. A sweet
The first two movements of this well-known organ suite have been arranged for handbells and handchimes. The Chorale is chordal, stately, and a bit austere. It is followed by the dance-like
From Handel to Mozart to Vivaldi and more, this reproducible collection offers a wide variety of selections useful for schools, business events, weddings, nursing homes and worship services. While each
This lovely quartet arrangement is based on the choral theme from Beethoven's 9th Symphony. An optional repeat is included giving flexibility to the performance. Note: Ensembles must purchase the
Rachmaninoff's signature slow, achingly beautiful piece is transcribed here for handbells and handchimes (optional 5-7 octaves.) Transposed to C minor, note values have been doubled and scored on four
Master teacher, composer and conductor Bill Mathis offers a lovely handbell setting of Debussy’s exquisite Clair de Lune. While the notes are relatively easy, the piece offers great teaching
This warm, embracing melody from Ireland is also known as The Maids of Mourne Shore. Beautifully arranged for handbells with optional C instrument, it is appropriate for worship or concert. The C
The well-known first movement to Beethoven's Moonlight Sonata is set here for intermediate handbell solo with piano accompaniment. The piano takes charge of much of the arpeggiated accompaniment
The lyrical melody is carried in the treble throughout, supported by chords in the mid-voices and a gently malleted bass pedal line. The few interspersed dynamics fit the musical line perfectly. The 5-7