Beginning ringers will enjoy this procession-like piece appropriate for worship, concert, or festival. An alternative title also makes it practical for use in school settings. Thumb damps and shakes are
"Lyrical" and "flowing" are two words that aptly describe this original work which vividly depicts water flowing in a stream. A Level 1 piece, yet very musical, beginning groups will have the opportunity to
Michael Helman composed this creative, original work for beginning ringers. The rondo form and various techniques make it a terrific teaching piece. With no key changes and limited bell changes, it is
These three outstanding hymn-tune arrangements, each supporting the theme of praise and thanksgiving, are suitable for fall festivals and worship services throughout the church year. Not only is this set a
This trio of selections will highlight any Level 1 ensemble. Written for 2-3 octave handbells or handchimes, it includes three treasured hymns: All Creatures of Our God and King; Beautiful
The American folk hymn PROMISED LAND receives an upbeat and vibrant setting for handbells and keyboard. The handbell part includes a number of techniques including martellato, mallets, shakes, and
This lovely arrangement will be a prayerful addition to any worship service. A good teaching piece as well, Terry Osman gives directors the opportunity to instruct their intermediate-level ensembles about
This medley of three African American spirituals will thrill ringers and congregations alike. The piece begins slowly, easing the audience into the moment, but soon energy abounds. With echoes, malleting,
This lively setting of the traditional children's song brings cheerful memories of Bible school to the hearts and minds of your congregation. Numerous techniques, including martellatos, martellato lifts,
In response to the tragic shootings in Orlando on June 12, 2016, this original piece was composed for all who have lost loved ones due to hate, intolerance, and violence. Appropriate for worship, festivals,
Celebrate Christ's triumphal entry into Jerusalem with this dynamic arrangement from the pen of Jason W. Krug. The fanfare and processional statements of the tune frame a sensitive hand chime presentation
A beautiful melodic motif in the introductory and interlude sections sets off a beautiful arrangement of the well-known MORECAMBE hymn tune. Handchimes are featured in the middle section creating a
This lyrical original work will become an instant favorite with your ringers and congregation. Set in ABA form, the work opens with a haunting, expressive melody and is followed by a hymn-like middle
Patricia Hurlbutt gives us a joyful and energetic setting of the African-American Spiritual Every Time I Feel the Spirit. Various stopped techniques and shakes add interest and excitement. This
Drawing on ragtime, Tammy Waldrop has fashioned a medley that will keep ringers busy and put smiles on the faces of your congregation. Hymns included are: Jesus Loves Me, What a Friend We
This flexible, easy-to-prepare suite of four familiar hymn tunes will be a useful addition to your communion repertoire. Each tune can stand on its own, or you can create medleys using the included
This exciting medley for Thanksgiving includes the ASH GROVE, ST. GEORGE'S WINDSOR and KREMSER hymn tunes. Each tune receives a creative setting and handchimes are used effectively to highlight the
With varied stopped techniques and melodic material in both the treble and bass bells, your ringers will remain engaged from start to finish. Sundays concerning the second coming of Christ will be
Any communion service or celebration of Christian unity will benefit from Beth Elston's wonderful arrangement of this 19th-century hymn tune. Flowing LV patterns and echoes create a graceful and lilting
Lift the spirits of your congregation with this dynamic medley of three beloved hymn tunes, HYMN TO JOY; MARION and DARWALL's 148th. Whether the piece is played on handbells or handchimes, it will establish
This original work is a brilliant teaching piece for beginning ringers. In keeping with Level One guidelines, the music does not contain any subdivision of the beat, has one prepared handbell change,