Handchimes Sacred Sheet Music

While there are many complicated arrangements of this great hymn, this setting gives us a fresh take that will be accessible to most choirs. Text is included between the staves, making it easy to accompany

This creative setting of the beloved BRADBURY hymn tune uses echoes, malleted suspended bells, and a melody that is often highlighted by the optional handchimes (3-5 octaves) to create interest for both

Perfect for small choirs and ensembles, this collection of eight grand old hymns has no bell changes, and can easily be rung without tables and in just about any location. You will also find the smaller

Fun for summertime with limited ringers, these gospel hymn favorites will strike a familiar and happy chord with many worshipers. Because there are no bell changes, no tables are required. Bell assignment

This beautiful arrangement combines the hymns HE LEADETH ME and GOD BE WITH YOU and will be useful for general worship or memorial services. Unexpected harmonies and optional handchimes (3-6 octaves) add

Featuring mart lifts and malleted bells on the table, this lively arrangement is useful for worship during any season, but it will be especially effective at Easter. With easy rhythms and few bell changes,

As with the other titles in the 12 Bells in F series, you'll find this collection of favorite hymns of praise very useful when performing with fewer ringers. No bell changes means no table is

As the name says, no tables are needed to ring this collection of three hymns, making it perfect for "on the go" or socially distanced ringing. There are no bell changes, so each ringer rings only two

This happy setting of the well-known spiritual can be rung traditionally, or if tables aren't available they can be rung off the table. Lyrics are included - a strong medium voice can sing with the bells,

This collection contains interesting arrangements of three great hymns - and not a bell change in sight! Each ringer needs only their two bells (for the arrangement performed) and their music. For an

Two timeless hymns are beautifully set for three, four, or five-octave handbells with optional vocal solo and optional handchimes. The solo is very easy and is a lovely addition, while the handbell

Combining three well-known hymns into one powerful anthem, this is a wonderful selection for any season of worship! Although accessible for smaller ensembles, this arrangement has opportunities for big bass

This arrangement of the hymn tune MY SAVIOR'S LOVE is a satisfying and worthy addition to your choir's repertoire. The majestic melody is accompanied in a variety of ways from arpeggiated lines to

Enjoy this exciting arrangement of this well-known hymn filled with rhythmic energy and a flute part, that, while optional, is a lovely addition. The full bass chords using the echo are very effective. This

This arrangement of the hymn tune MORECAMBE is an excellent addition to the handbell soloist’s repertoire. For the first verse, the flowing piano accompaniment supports the straightforward solo

The hymn tunes I LOVE THEE and GORDON are set back to back, separated by a short interlude. Lyrics appear between the staves.

This arrangement features the tune KREMSER, which is also used as the Thanksgiving hymn We Gather Together. An optional flute part (or C instrument) is included in the score. The text is included

This reproducible collection is for a bell tree soloist (3 octaves) accompanied by chime choir (3-5 octaves). The three titles are appropriate for use throughout the year: Come, Ye Sinners, Poor and

This arrangement of a traditional Gaelic melody, used for several hymns including Morning Has Broken, begins and ends very energetically with light and lively malleted rhythms to set the

This very creative setting of an old great spiritual brings lots of interest between the various staccato offbeats and the ringing of the bells. When optional handchimes are added, the mellow and

This original composition engages the listener from the start with a melody that shifts from 3/4 and 6/8 every other measure. This rhythm pattern continues throughout the piece except for a short section of