This arrangement reflects the mystery, anticipation, and excitement of the journey to the promised land. The setting incorporates a myriad of techniques as well as a few tempo changes. This is a great
This lush setting of BROTHER JAMES' AIR features a flowing handbell texture with optional flute solo. The sweeping musical phrases employ good use of LVs and musicality while ebbing and flowing in perfect
This lively rendition of Praise to the Lord, the Almighty for 3-7 octave handbells utilizes snippets of the main theme throughout, giving unity to this work. Composed in ABA form, it begins and
A minimum quantity of 6 is required on this title.
This arrangement calls for 3-7 octave handbells, optional 3-octave handchimes and 3-octave auxiliary bells. Set in 6/8 time, this piece is particularly effective with numerous techniques used to accompany
This uplifting arrangement melds together two melodies associated with the text Come Thou Fount of Every Blessing. WARRENTON makes use of martellato and malleted accompaniment patterns and is
An energetic original work that your ringers and congregation will love. The opening theme alternates between 3/4 and 6/8 with a driving malleted accompaniment. The middle section slows in reflection
This lovely patriotic ballad setting, first conceived in the aftermath of the events of 9-11, is from Joel Raney's exciting series of piano/organ duets. With SATB choir entering at the conclusion of the
A creative setting of the beautiful BETHANY hymn tune, this piece has a programmatic quality. First established in a minor key setting, it begins mournfully then progresses to a more tumultuous setting,
Michael Glasgow masterfully entwined TRENTHAM and ST. AGNES in this introspective setting that celebrates the Holy Spirit's presence in our lives. The optional violin solo and handchimes highlight the
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