Collegiate Choral Concert Music

An excerpt from Handel's "Israel in Egypt," this carefully edited edition is the perfect concert opener or festival piece. Scored for double choir and piano, this Baroque staple is made

Engaging triple SATB choirs, this lively 16th-century work is appropriate for collegiate, community, and professional groups and will make a fantastic concert opener!

A sprightly and refreshing piece, this fits perfectly in any program about spring, nature, or singing itself. It reminds us that, although often overlooked, there were many fine women composers active in

Energetic tempo, soaring vocal lines, and unified rhythmic texture create a rousing setting of Schulze's text about Jager (hunters) roaming the forest. The strophic form and straightforward harmony make

An excerpt from Vespers for the 21st Sunday after Trinity, this work is scored for tenor-bass choir, cello, and contrabass. Advanced singers will enjoy the contrast between the melismatic lines and the

Dvorak is well known for his folk song settings, but this lullaby is his own tune - and his earthy roots emerge from the melody of this secular part song. A great selection for more advanced ensembles.

This Italian Baroque masterwork is an eight-minute work for mixed choir with a quartet of SATB soloists featured throughout. Largely polyphonic, it explores dramatic Baroque phrasing, articulation, and

G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with a piano or organ part

This piece from Missa Abreviada, CPM 112, has been edited for choir with solo quartet and piano accompaniment. Beginning slowly, the piece moves into a spirited fugal setting of the traditional Latin

In this sensitive choral arrangement of Nimrod from Elgar's "Enigma Variations," the Eucharistic hymn O salutaris Hostia, written by St. Thomas Aquinas for the Feast of Corpus Christi. The

From the American Romantic Choral Series comes this bright choral piece. The classical structure and contrapuntal writing make this a worthy anthem for concert or worship.

Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate

From the American Romantic Choral Series comes this beautiful motet. Overlooked for many years, this elegant piece is a lovely addition to worship or concert.

From the American Romantic Choral Series comes this beautiful Kyrie movement from Bristow's Mass in C. A master of the romantic harmonies of his day, George Bristow was a church organist, violin teacher,

From the American Romantic Choral Series comes this classical choral piece. Horatio Parker was a professor at Yale and one of the most influential composers of his time. His mastery of contrapuntal writing

From the American Romantic Choral Series, this song announces the day, rolling in from the sea and advancing into the farms and towns. Although the text claims "not yet to be quiet," the music carries the

A beautiful choral piece from the American Romantic Choral Series. The river flows and turns gently, beckoning us to see the music of its journey and appreciate its beauty. Nineteenth-century artistry at

From the American Romantic Choral Series comes this beautiful choral piece. This tender motet gazes into the night sky in a three-verse setting. The first for the star and the second for the moon are

A cleverly written piece with a text by Alfred Lord Tennyson, the music at times reflects a madrigal with romantic era harmonies. The sound of the bugle is described in a rhythmic motif that is echoed and

A beautiful piece for treble voices from the American Romantic Choral Series. The lilting 3/8 accompaniment lifts the swallow into the air. An interesting 6/16 meter in the middle changes the character for

A beautiful piece from the American Romantic Choral Series. Parker's settings of American poetry demonstrate his programmatic skills, reminiscent of similar works by Mendelssohn and Schubert. This piece, in

From the American Romantic Choral Series comes this lighthearted secular song. Written in Italian with an English alternative, the piece features a baritone solo with chorus response. Fun and well written,