Collegiate Repertoire

In this innovative arrangement, Stanley M. Hoffman takes Henry Purcell's most popular solo aria, Dido's Lament, from his opera Dido and Aeneas, and reimagines it as an a cappella work

From Handel's first English masterwork, "Acis and Galatea," this lively chorus offers singers valuable experience in working with and performing Baroque melismas. The music is cheerful and colorful,

This opening chorus from Smetana's most beloved folk opera is filled with the popular spirit, sounds and rhythms of Czech folk music. The effervescence of the music and the camaraderie of the villagers -

The Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often

A stirring chorale prelude in Smith's grandiose style that even offers optional audience participation. Great fanfares help to make this a real crowd pleaser!

With its tonal language, the first of Beethoven's two Masses opens up new worlds of expression for the liturgical texts of the Mass which are expressively modern and forward thinking. Not to be considered a

Along with "A Ceremony of Carols," "Saint Nicolas" is a substantial Christmas choral work. Scored for Tenor Solo, SATB Chorus, SA Semi-Chorus, 4 Boy Singers and String Orchestra, Piano Duet, Percussion and