The Baerenreiter edition of Mozart's masterwork; this has become a staple in the repertoire.
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Edited by Stephan Blaut. For SSAATBB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. A coronation anthem. Vocal score, 19 p.
Cherubini's Requiem Misa pro defunctis (Mass for the Dead) was premiered in 1817 in Saint-Denis. This dramatic and compelling work is in Latin, separated into seven movements and interestingly
"I asked my friend, the poet Einar Askestad, if he could write a poem for me about love between father and son, brothers and God. I felt that these forms of love are seldom sung about. The poem moved me
This piece is a transcription of a composition originally conceived for choir and large orchestra commissioned by the Knabenkantorei Basel. The text which stems from the liturgical chants
Based on the well-known bible text "Sing unto the Lord a new song" (Psalm 96:1-3), this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across
Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is one of Telemann's last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the
Telemann's 1754 chorale setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius' melody from the Hamburg Hymnal, is especially well suited to display his mastery in
This Missa Brevis for mixed a cappella choir has been composed in the tradition of the short Mass (without Credo) and can be easily managed by most choirs. Thanks to its conciseness, it is suitable for use
The Swedish texts for Triptyk (Triptych) and Morkbla tillit (Dark Blue Trust) were written by hospital chaplain and author Kerstin Dillmar. In her line of work, she often meets people who
Edited by Stephan Blaut. For SAATBB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. A coronation anthem. Vocal score, 32 p.
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