Written in a gospel style, this lyrical second movement extracted from the larger work Credo utilizes a text by W.E.B Du Bois: "Especially do I believe in the Negro Race; in the beauty of its
Along with Touch the Hem of His Garment, this set of two pieces was composed in 1968 as both sacred choral and solo art songs, setting texts written by her friend and frequent collaborator Janice
This setting of Psalm 117 combines an elegant blend of traditional choral writing with a spiritual-like melody in the basses and a tinge of gospel fervor. The excitement of irregular meter and independent
Effective, simple part-writing and exceptional use of dynamics have made this piece an icon of sacred choral literature. There is just no better way to express the meaning of the cross, particularly during