Originally written for her induction into the Accademia Filarmonica di Bologna, Marianna Martines' setting of Psalm 110 is often considered her greatest choral work. This arrangement of the first movement
Tomas Luis de Victoria's (1548-1611) Renaissance setting of the Latin Nativity text is arguably the most famous setting that choirs have enjoyed as a standard during the Christmas season or at any time of
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This Baroque selection has been adapted for mixed or treble voices and given an accessible piano accompaniment in this excellent arrangement. Stylistically authentic, it gives great opportunity to teach
This adaptation of Mozart's choral work has been carefully edited with dynamics and phrasings to help choirs realize the composer's intentions and perform this classic with stylistic integrity. Singers will
A triumphant Mozart masterwork for today's choirs! This joyful opera finale opens and closes with a boisterous choral fanfare that features a brief, expressive vocal duet in the middle. The text is in
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Taken from Haydn's masterwork, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Classical period,
The stunning, evocative lines of Ravel’s piano masterpiece, Pavane pour une infante défunte, are brought to life chorally in this simply stated, uncluttered setting. Voices sing
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A warm adagio Sanctus section breaks into a joyous "Hosanna" chorus in this Schubert masterwork. This edition offers sensible vocal ranges, editorial dynamic and metronome markings, plus a
From Handel's first English masterwork, "Acis and Galatea," this lively chorus offers singers valuable experience in working with and performing Baroque melismas. The music is cheerful and colorful,
This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the
Although primarily known as an opera composer, Galuppi contributed a steady output of sacred music. In this edition, the original figured bass has been fully realized in the piano accompaniment, but the
Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg
This classic piece composed in 1865 holds a cherished place in the choral repertory for concerts, festivals and services. Presented with an English singing translation in addition to the original French,
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