SATB Music Selections

Marked by exceptionally rich and powerfully expressive melody and harmony, this Latin Mass radiates joy, encourages solemnity, assists in lamentation, moves in contemplation, speaks directly to human

Rooted in a distinctive period of Shaker history (1837-1847), this multimovement work reflects the visionary repertoire written at that time.  Three movements (Sound of Salvation; Heavenly

Inspired by the painting The Magdalen Weeping, this work draws strands of chants and songs into a single act of grieving. Broken into four sections, each focusing on the progression of grief:

A powerful 30-minute a cappella work, Exile Meditations is a sequence of seven reflections on loss, longing, fear, and hope, and is dedicated to those living in exile. The text is in Latvian and

A brilliant collaborative effort between long-time colleagues Tim Sharp, Executive Director of American Choral Directors Association, and highly-respected composer and arranger Wes Ramsay, Come Away to the

Due South is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone;

This a cappella work was designed for short worship services and was written without complexity, expressing the possibilities of rhythmic and melodic changes but always respecting the classical concept of

One in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. This choral setting is broad in both scope and tone; the tone painting evokes the

Sung without vibrato so that the vocal colors and their translucent quality remain pure and clear, this recalls the Baroque passacaglia procedure where the bass line underpins the entire work. This is an

For SATB double choir, a cappella. This edition, based on the autograph score, has been newly engraved in a larger format, with a preface in German and English as well as critical commentary.

One of Randall Thompson's defining works, this cycle of eight sacred choruses was composed in 1936 and was a groundbreaking musical statement for a cappella choir. It remains a pinnacle of compositional

Written by the Hungarian-Austrian avant-garde composer György Ligeti, this simultaneously haunting, mysterious, unsettling, and serenely beautiful piece unfolds gradually in shimmering layers of sound