This arrangement is hot, hot, hot! The classic Latin jazz song by the great Tito Puente was rocked out in Carlos Santana's ultra-popular 1970 recording. There is a very cool stacking section of choral
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This Oscar-winning standard made popular by Frank Sinatra is a song about the power of positive thinking. This jazzy arrangement in a light swing feel has nicely written harmonies with plenty of vocal
Raise the roof with this terrific medley of classic big-band swing tunes. This arrangement includes The Joint Is Jumpin'; Bandstand Boogie and Jump, Jive an'
This arrangement of one of the most popular bossa nova songs of all time stays true to the style, with plenty of jazz harmonies and a smooth groove. Accented by the piano part and optional instrumental
In an easy swing style, this arrangement combines Falling in Love with Love and This Can't Be Love, both from the Rodgers and Hart musical "The Boys from Syracuse."
This seamless four minute tour pays tribute to the American songwriting team of George and Ira Gershwin. Smart voice leading and classic choral arranging techniques remain faithful to the cherished melodies
Originally performed by Fred Astaire and Ginger Rogers in the classic movie "Shall We Dance," this bubbly Gershwin tune has enjoyed a recent resurgence. Full of charm and wit, the arrangement sparkles with
This fun tune was premiered by jazz legend Louis Armstrong and nominated for an Academy Award in 1938. The lighthearted, innocently flirtatious song has since become an iconic jazz standard. This fantastic
This Duke Ellington number was featured in "Sophisticated Ladies," the musical revue celebrating the life and music of the great bandleader. A slinky bass sets up the intro just before this swingin' setting
A unique and lighthearted original that sings the praises of tasty Southern barbecue! In a Zydeco style, which is a combination of blues, R & B, and Louisiana Creole tradition, these crazy, fun lyrics
Jazz and pop groups will enjoy bringing a jazzy samba setting of this beloved standard to their audiences. A fresh treatment and excellent change of pace that really grooves!
One of the most performed and recorded songs ever, this classic jazz standard is a winning choice for jazz, pop and concert choirs. Luscious choral harmonies and an outstanding track and instrumental parts
A charming swing-infused standard, first published in 1924, that has been recorded by a wide variety of hit-makers including Ray Charles, Tony Bennett, Michael Buble and Carrie Underwood. Perfect for school
This gorgeous vocal jazz arrangement combines Autumn Leaves with When October Goes in an artful setting that is unified both textually and musically. The sumptuous choral harmonies and
You'll love this fresh contemporary treatment of the Stevie Wonder hit song from 1983. Well-crafted vocal parts and a straight-ahead rhythmic groove with just a hint of vocal jazz make this chart accessible
This show tune has appealed to jazz musicians ever since it was first heard in "Finian's Rainbow," and it still swings! "I look at you and suddenly, something in your eyes I see, soon begins bewitching me.
Heartfelt lyrics, rich harmonies and a smoldering slow swing tempo make this a fine choice for a vocal jazz ballad. Tastefully arranged, this piece is great for building phrasing and blend!
Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm, flugelhorn and flute. "Blue days, all of them gone.
From the opening strains, everyone will recognize Vince Guaraldi's jazzy theme as featured in the popular animated Peanuts television specials. This well-crafted accompanied arrangement includes "scat"
Here is one of the most famous tunes from the big band era in a contemporary vocal jazz/show choir setting. This is an extraordinary feature, especially when you use the hot horns-and-rhythm backup on the
This beautiful blues ballad appeared on the Billboard Hot 100 chart in 1963, a bit surprising since it was written in 1945! Tight choral harmony and a subtle accompaniment make this sad tale come alive.
Hammerstein and Kern's popular hit is presented with a light and jazzy Latin feel, complete with optional instrumental parts or rhythmic accompaniment track. Smooth vocal lines sit above the exciting
This popular torch song was originally composed for Ella Fitzgerald, but ended up being dropped from the film "Pete Kelly's Blues." She would eventually record it six years later, but in the meantime, a
Here is a swinging arrangement of the great American standard in a style reminiscent of the Count Basie big bands of the 1950s. Opening in a spare style with unison vocals over a bass line, the texture