Here is a complete medley of the official songs and hymns of the U.S. military service branches: The Army Goes Rolling Along; The Marines' Hymn; Semper Paratus (Coast Guard); Anchors
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You haven't heard Joy to the World like this before! This traditional Irish music experience pairs the well-known carol with a recently composed Irish slide, and the result is an explosion of joy
The first movement of the trilogy Divine Encounter is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative,
This stunning arrangement of the holiday jazz standard from the animated special A Charlie Brown Christmas is first-rate material for concert choirs and vocal jazz ensembles! Use the piano accompaniment or
"The way you wear your hat, the way you sip your tea... no, no, they can't take that away from me." One of the most charming songs of the 1930s, this was introduced by Fred Astaire in the film "Shall We
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This Gershwin gem has been made into an absolutely rip-roaring, no-holds-barred choral work. You want rhythm? You'll get it, in more ways than one! An outstanding arrangement of one of America's standards!
Shout Glory lives up to its name, with a rip-roarin' accompaniment and highly energetic choral writing! Whether your featured soloist sings the notes as written, or has improvisational skills, this
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This is truly a song that needs no introduction. Quoting America the Beautiful, this stunning arrangement of the Irving Berlin standard begins with a flourish before settling into the seldom-heard
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This song from the Sondheim musical "Anyone Can Whistle" is about not being afraid to try. Alternating between rapid and rhythmic unison patter and full, jazz-tinged choral harmonies, the
A fast swing intro punctuated by piano, bass, drums, and finger snaps leads into a jazzy arrangement of the traditional spiritual unlike any you've ever heard. The choral parts are fun to sing with scoops,
This forward-moving, rhythmically driven music enhances the dramatic, image-laden text of Kentucky-born poet and playwright Joseph S. Cotter, Jr. Shifting mixed meter is very effective in giving this
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After opening with a deeply reflective solo, this offering turns into a boisterous gospel anthem. Independent parts are used in this arrangement, and women's and men's voices both split into three parts.
This is the opening movement to the choral song cycle Like Dust I Rise. In 1993, Maya Angelou recited this poem at the inauguration of President Bill Clinton, making her the first African American
The final movement from the song cycle Like Dust I Rise brings Maya Angelou's most popular poem about triumph over adversity brilliantly to life in this vivid setting by Mark Hayes. The bright
The second movement from the choral song cycle Like Dust I Rise is a folk-like setting of Maya Angelou's empowering poem, which compares a bird's longing to be liberated with that of all people.
A festival arrangement of the traditional carol that is sure to impress. This reimagined classic features colorful harmonies, vibrant rhythms, theme-and-variations surprises, and a fantastic accompaniment
The third movement from the choral song cycle Like Dust I Rise. This contemporary gospel-style rouser denounces oppression and serves as a choral anthem for equal rights. A confident solo voice
Hand claps, knee slaps, foot stomps, and rhythmic vocal speech make this a must-do folk song arrangement for mixed, three-part, and male choirs. Full of quick-witted humor and down-home hillbilly fun, it's
One of the top standards of all time! This rich setting with dreamy rubato phrasing, warm harmonies, and the full range of emotional expressivity will be a wonderful showcase for concert, community, and pop
Only Mark Hayes could write such an enthralling arrangement of this timeless Irish air. Scored for voices, piano, flute, and optional percussion, it features a shimmering accompaniment and a flute obbligato
Here's a superb choral arrangement of this classic spiritual! It opens with a choral fanfare-like section and progresses through several swinging sections to a climactic finish. This is Mark Hayes at his
This powerful setting of a Christmas classic is sure to become a favorite. Scored for chorus, piano duet and optional string quartet, the strong legato chorus is driven by the marcato accompaniment to
Originally written for and premiered by Frank Sinatra as the B-side of his White Christmas recording, this holiday favorite has been covered by more than forty artists, including Rosemary Clooney, Tony