SATB Music Selections

Pull out all the stops with this classy, sparkling arrangement of Meredith Willson's holiday classic! Use the marvelous piano accompaniment or the recorded or live orchestration - either way, the effect

Penned by the songwriting team from Broadway's "Anastasia", "Once on This Island," "Suessical," and "Ragtime," this powerful song is an inspirational original work. With themes of acceptance, pride, hope,

"The way you wear your hat, the way you sip your tea... no, no, they can't take that away from me." One of the most charming songs of the 1930s, this was introduced by Fred Astaire in the film "Shall We

Two of Rodgers and Hammerstein's most beloved songs are powerfully set together in a combo of great emotion and strength. Whether performing with the exquisite piano accompaniment, full orchestral parts, or

Originally cut from Disney's "Hunchback of Notre Dame" animated movie, but revived and placed as the final song in the Broadway stage production, this gorgeous ballad expresses Esmeralda's final hopes and

The consummate concert closer! "A sound of hope, a sound of peace, a sound that celebrates and speaks what we believe. A sound of love, a sound so strong. It's amazing what is given when we share a song.

From Trans-Siberian Orchestra's triple-platinum album Christmas Eve and Other Stories, this famous combination of Pachelbel's Canon with patterned vocal parts that can be quickly taught and layered

This fun tune was premiered by jazz legend Louis Armstrong and nominated for an Academy Award in 1938. The lighthearted, innocently flirtatious song has since become an iconic jazz standard. This fantastic

This is truly a song that needs no introduction. Quoting America the Beautiful, this stunning arrangement of the Irving Berlin standard begins with a flourish before settling into the seldom-heard

A fresh paring of two beloved American folk songs which will offer a moment of peaceful reflection at your concert or festival. The fluid accompaniment ties the two songs together, both culturally and

A fast swing intro punctuated by piano, bass, drums, and finger snaps leads into a jazzy arrangement of the traditional spiritual unlike any you've ever heard. The choral parts are fun to sing with scoops,

After opening with a deeply reflective solo, this offering turns into a boisterous gospel anthem. Independent parts are used in this arrangement, and women's and men's voices both split into three parts.

Develop intonation, blend, rhythm, and solo techniques with this vocal jazz setting of a song originally made famous by Petula Clark in 1965. Solo opportunities, including a written-out scat solo, and parts