This is an evocative, folk-like setting of Yeats' poem The Lake Isle of Innisfree. The modal vocal writing is both simple and sophisticated and always expressive of the yearning in Yeats' words.
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Featured at the 2018 St. Olaf College Christmas Festival, this is a beautiful and lush setting of the Howard Thurman text. It reminds us that Christmas is a time of light over darkness. The message in the
A banjo-like piano accompaniment and expressive fiddle stylings lend folk authenticity to this plaintive and moving choral setting of Stephen Foster's classic song. The text is set simply but fully, with
Celebrating the inner strength that is unique to each of us, this work identifies the choral music room and the friends we make there as a safe place. We are reminded of the power of music making and the
Written in a songwriting workshop, here is a song of multifaceted hopes. "I wanna believe in beauty, I wanna be seen in darkness, I wanna be heard in chaos." Composed in the world music style that has
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Composed to teach three essential and specific music and dance styles in the Carribbean music traditions: the Cuban "son," the Puerto Rican "Plena," and the Dominican "Merengue." Accompanied by piano, bass
This work has a mission: celebrate and unite the different cultures in our society by offering an upbeat and powerful anthem that includes Arabic, Bosnian, Hebrew and English. An easy-to-read phonetic
With a powerful pop/gospel feel, this work captures the hopes and wishes of young people's thoughts on how to improve the world. Written in a youth song writing workshop, the idea of "rising as a people" is
Written to honor Rollo Dilworth, whose feel and insight for choral gospel music is reverent and accessible to all, this composition incorporates lyrical quotes from some of Rollo's great arrangements,
This lively arrangement is based on a sturdy American hymn tune with a text by Reginald Heber. The accompaniment provides a solid base and colorful riffs while the tune is presented in unison, canon, and
Tyler Clementi put a face on the consequences of cruelty. Through the Tyler Clementi Foundation, tens of thousands of youth and adults have been inspired to speak out and stand up in the face of bullying,
Celebrating the many reasons that we sing: "It fills my soul, it reaches something deep inside my heart, it makes me feel, more than anything." These lines and emotions are woven through this piece as the
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These intimate and comforting lines of Elizabeth Bishop's sonnet are set to music that is reflective, lush, and lyrical, with the text always foremost. Originally written for SATB chorus, this voicing for
The music from Leonard Bernstein's landmark Broadway musical "West Side Story" has become an important part of our musical heritage. This 20-minute choral suite in four sections lets you perform eight of
The solemnity of the classical Mass joins together with the down-home sparkle of bluegrass to create a work that is unique in scope and a beautiful union of seemingly disparate musical traditions. Listeners
Doreen Rao's newly adapted and edited concert version of Bernstein's epic theater work maintains the integrity of the Mass form and the dramatic tension between faith and doubt. This 40-minute
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Here is the updated second edition of the Sanctus from the major work "The World Beloved: A Bluegrass Mass." The solemnity of the classical-based Mass joins together with the down-home sparkle of bluegrass
Now in a second edition, this unique blend of bluegrass instrumentation and the familiar text of Gloria lends a new - even fun - perspective to the Mass tradition. Newcomers to either the classical or
"Can you hear my cries? I am calling out to you." The global community of children speaks together in this dramatic call for a better future that uses worldbeat sounds, unified chordal harmonies, and
A perfect concert finale for choir and band, this is one of the great classics of educational music literature. This medley includes: While By Our Sheep, Christmas Eve Is Here (Voici le Noel), Now We Sing
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Comprised of nine medieval English carols which retain their Middle English texts and a Latin plainsong processional and recessional, this Benjamin Britten work is a continually popular standard in the