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SATB Sheet Music for Community Choirs (7)
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Choral ››  SATB Sheet Music for Community Choirs (7)
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Linus and Lucy
Linus and Lucy Linus and Lucy
Vince Guaraldi/arr. Roger Emerson - Hal Leonard Corporation
Editors Choice Selection

From the opening strains, everyone will recognize Vince Guaraldi's jazzy theme as featured in the popular animated Peanuts television specials. This well-crafted accompanied arrangement includes "scat"

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Sing, Sing, Sing
Sing, Sing, Sing Sing, Sing, Sing
Louis Prima/arr. Mark Brymer - Hal Leonard Corporation
Editors Choice Selection

Here is one of the most famous tunes from the big band era in a contemporary vocal jazz/show choir setting. This is an extraordinary feature, especially when you use the hot horns-and-rhythm backup on the

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Tuxedo Junction
Tuxedo Junction Tuxedo Junction
arr. Kirby Shaw - Shawnee Press
Editors Choice Selection

This tune was a big hit for Glenn Miller, and recently for The Manhattan Transfer. Kirby Shaw's arrangement is not difficult, with just the right amount of written-out scat singing. There's a chorus of,

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Level
Price
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SATB 
$2.50
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SAB 
$2.50
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SSA 
$2.50
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Instrumental Parts 
$24.00
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P/A CD 
$26.99
All the Things You Are
All the Things You Are All the Things You Are
Jerome Kern & Oscar Hammerstein II/arr. Mark Hayes - Shawnee Press
Editors Choice Selection

Hammerstein and Kern's popular hit is presented with a light and jazzy Latin feel, complete with optional instrumental parts or rhythmic accompaniment track. Smooth vocal lines sit above the exciting

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Cry Me a River
Cry Me a River Cry Me a River
Arthur Hamilton/arr. Jay Althouse - Alfred Music Publishing
Editors Choice Selection

This popular torch song was originally composed for Ella Fitzgerald, but ended up being dropped from the film "Pete Kelly's Blues." She would eventually record it six years later, but in the meantime, a

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Bye Bye Blackbird
Bye Bye Blackbird Bye Bye Blackbird
Ray Henderson/arr. Steve Zegree - Hal Leonard Corporation
Editors Choice Selection

Here is a swinging arrangement of the great American standard in a style reminiscent of the Count Basie big bands of the 1950s. Opening in a spare style with unison vocals over a bass line, the texture

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