Siegfried Sassoon's text depicts the unbridled joy at the end of the First World War mixed with bittersweet sorrow. The final phrase, "the singing will never be done" hints at the irony of this joy amid
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This tremendously fun arrangement of a South African greeting song exclaims, "Iyo hlonolofatsa, Ka lebitso la ntate," which translates as, "Bless everything in the name of the Father." Featuring a soloist,
A dynamic a cappella world music selection featuring a call and response solo, optional improvised percussion and movement, and a divided choir option. The song is a traditional South African celebratory
Stacey Gibbs hits a home run with this African folk song. The piece is full of joy and expectation and useful as a concert opener or as a processional. Rhythmic energy, strong vocal writing and energy are
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This song of praise from South Africa has vocal parts that are accessible and repetitive, so learning the initial rhythms and texts makes this a quick learn. Adding a soloist or percussion will take this
This work is an energetic reimagining of timeless text and tune from the 12th-century poet, composer, and philosopher Hildegard of Bingen. The marriage of the Caritas Abunda chant with a text taken
This joyful Philippino Christmas carol, masterfully arranged in a simple SATB a cappella setting, is a welcome addition to the season and will be thoroughly enjoyed by performers and audiences alike.
The consummate concert closer! "A sound of hope, a sound of peace, a sound that celebrates and speaks what we believe. A sound of love, a sound so strong. It's amazing what is given when we share a song.
This welcoming piece translates as "Rejoice!" and is an energetic, rhythmic, festive way to open your concert. Body percussion, stamping, clapping, and snapping all add to the crisp a cappella choral
This upbeat a cappella piece is truly a celebration. Including vocal percussion throughout, the dynamic rhythms, contrasting sections, interplay between the vocal lines and the text "Therefore, let's enjoy
This South African song is believed to have originated during the difficult Apartheid years and performed as a peaceful protest song. Tuba is translated as "a dove," and the call and response texture makes
The familiar African saying, "It takes a village to raise a child," is appropriately set to tribal-sounding music in this marvelous cross-cultural feature. A great closer, this piece is a proven audience