This Pakpaknese folk song from North Sumatra, Indonesia is commonly performed at wedding celebrations, opening ceremonies, and cultural events in the region, often accompanied by traditional dancing. By
This work, inspired by Mexican culture's perspectives on death, is written for choir and indigenous instruments, including: three ayoyotes, one ocarina, one death flute and one teponaztli, which are played
If you have a very talented choir looking for a challenge, this is an absolutely "must do" spiritual! The use of the many variants of the text allows the music to maximize the use of gospel-style
If you have the choir and accompanist to handle this, you must give it a serious look because it is just phenomenal! In its original form, the song stems from the Delta Blues tradition, and was recorded by
Celtic mouth music, sometimes called lilting, diddling, or puirt a beul ("tunes from the mouth"), is a vocal version of what would typically be instrumental folk dance music. The tantalizing