Four hands on the keyboard give great drive to this very rhythmic, exciting and dramatic piece with a Sara Teasdale text. Chord clusters, close harmonies, and divisi in each voice part add to the depth and
Scored for a cappella divisi mixed chorus, the driving ostinato found in the bass and baritone voices along with the stratification of textures create one of the most engaging compositions of the year.
A minimum quantity of 5 is required on this title.
This fresh setting of an endearing folk song recently added an SATB voicing to it's offerings. The vocal lines are gorgeous and only enhanced by the well-crafted piano accompaniment. Your choir will enjoy
Commissioned by the St. Olaf Festival in Trondheim, Norway, Even When He Is Silent masterfully expresses the sentiment of the text - hope in times of despair. Beautifully melodic, with rich
First written as the bright, opening movement of Heavenly Home: Three American Songs, this enduring gospel favorite is set with a straightforward first verse and chorus. The next two verses combine
After opening with a deeply reflective solo, this offering turns into a boisterous gospel anthem. Independent parts are used in this arrangement, and women's and men's voices both split into three
With poetry by Pauline Barda, this gorgeous a cappella piece for SATB divsi choir is both expressive and plaintive. With soprano soli and a short feature for bass flute, the texture creates sublime harmony
"Sorida" is a term of greeting in the Shona language of Zimbabwe, similar to "shalom" in Hebrew or "jambo" in Swahili. This massive original work features six percussion instruments, layered divisi vocal
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This text, adapted here from the book of Ruth, is a tribute to love. "Entreat me not to leave you, nor to turn back from following after you. For where you go, I will go." This incredible
Molly Ijames has done a wonderful job with this setting of the pop holiday classic! For a cappella voices (with optional piano reduction), it brings out all the beautiful sparkle of the jazzy harmonies.
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