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Do you ever have requests for your group to play some New Orleans music? Or maybe you simply want to introduce your students to this traditional and fun style. This accessible collection of ten favorite and

Knockout knocks it out of the park with a driving rock style! The ranges are within reach of younger brass players and there is a written or improvised solo for tenor sax. With its flexible

Titles include: Birth of the Blues; Honeysuckle Rose; Ja Da; Rock-a-Bye Your Baby; Ain't Misbehaving; Yes Sir, That's My Baby; Struttin' With Some Barbeque; Ain't We Got Fun; Sweet Georgia

Titles include: Chicago; My Melancholy Baby; Who's Sorry Now; Alexander's Ragtime Band; St. Louis Blues; Maple Leaf Rag; Down By the Riverside; Beale St. Blues; The Stars and Stripes

This small-group chart is based on the big-band chart Mambo over the Mountain, also by Rick Hirsch. The inspiration for this one is based on the great mambos of Spanish Harlem and includes a catchy

This funky original is a great example of the 16-bar blues form, in a minor key! The bass part is simplified, the drum part is simplified, and the keyboard fills and solo are completely written or can

A rock version of one of the most famous Christmas carols, it features flexible instrumentation and a funky groove in the rhythm section that will energize your students and audience! Even though it is

This breezy, up-tempo bossa nova or laid-back samba flows with great sax parts throughout. There is some great interplay between the melody and a slick countermelody and a solo for the alto sax. Then some

Written with the idea to use contemporary jazz harmonies, with no V-I cadences, but still accessible to developing jazz artists, Modern Swing is a great change of pace tune to add to your

A long-stemmed rose may well come in handy for this cheeky tune. Warning: We Tango Tonight, with its sinewy melody, will stick with you long after you play it, and your audiences may request an

Warning: this tune is extremely catchy and may not leave you alone! Clambake is built upon a classic Bo Diddley groove, and written in B-flat for accessible improvisation. It's scored for three

Flexibly scored for many combinations of horns and rhythm section, and playable with as few as one horn and rhythm section, Git-Down Time is a catchy New Orleans street beat chart that's very

Here's an excellent contrast piece for your sextet! This head chart with solo background figures is a straight-up rock chart with an altered blues structure. The instrumentation is alto, tenor, and trombone

A medium bright swinger at around 160 bpm at the medium grade level, this dynamic chart is scored for tenor sax, trumpet, trombone, piano, bass, guitar, and drums. Solo space is included for all

What you have here is your basic flag-waving, barn-burning, straight-ahead swing chart for a small group: tenor sax, trumpet, trombone, piano, guitar, bass, drums and auxiliary percussion. Sure, it's a

As performed by Gordon Goodwin's Little Phat Band, the instrumentation is tenor sax, trumpet, trombone, piano, guitar, acoustic bass, and drums. This one is a funky shuffle and the tempo is around 170 bpm

As recorded by Cannonball Musical Instruments, this is a brilliant Gordon Goodwin chart written for five saxes (SATTB), plus four rhythm instruments and percussion! This brisk samba at around

First Nation portrays the expansive American landscape in a time before European settlement. The highlights included a through-composed structure set in a distinctive minor mood. It features a